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Amber Headlights has clear thematic and structural parallels to the Afghan Whigs' excellent 1996 rock opera Black Love.
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Amber Headlights fails, when it does, because it's trying to be two things at once: a personal reflection on life and death and a commercially acceptable rock record. But when the album ditches the tricks and conventions that define mainstream rock and focuses on Dulli's songs, it is very powerful indeed.
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For a fractured album that spent several years in limbo, Amber Headlights does two things very well: it's an impressive introduction to Dulli's far-reaching musical talent, and a spiritual cleansing for the wry vocalist himself.
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Under The RadarAmber sounds stock compared to either Twilight record, but Dulli's urgency, true to form, ensures that it's far from ordinary. [#11, p.110]
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UncutThe funk-noir backing means that Dulli is able to purr lyrics about "sexy ladies", debilitating cocaine habits and your standard-issue emotionally violent love affairs without sounding as trite as he perhaps should. [Mar 2006, p.104]
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Amber Headlights is neither a holy grail of unreleased Dulli tracks nor an insightful glimpse into the goings-ons behind his velvet curtain; nevertheless, it's by no means a major disappointment.
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Amber Headlights is a step backwards after the lush beats and subdued songs of the Twilight Singers' debut, 2000's Twilight, but it also seems weak following the harrowing Blackberry Belle and even the so-so covers album She Loves You.
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Q MagazineA disappointment.... While the voice still burns, the lacklustre songs cannot bear his weight. [Apr 2006, p.113]
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As he points out in the sleeve notes, these were "works in progress", but that doesn't excuse using stagnant rock riffs to obscure his lack of inspiration.
User score distribution:
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Positive: 7 out of 10
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Mixed: 3 out of 10
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Negative: 0 out of 10
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BetteDJan 18, 2006Transitional. Unfinished. Rough. Admittedly full of potential and a great view into what it is Dulli does.
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danieleJan 3, 2006Greg Dulli's worst album so far
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FrankSinatraDec 12, 2005