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In the end, while not the perfect album that Aveo's talent promises, the removal of a couple songs would render the entire thing striking and mesmerizing, and when held to such a high standard, you can't ask for too much more than that.
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Alternative PressAveo's songwriting isn't as intriguing as their sound. [May 2004, p.94]
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Finely crafted, if modestly affecting, froth-pop that bubbles over with dreary sexual overtones and loads of youthful paranoia.
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Battery is an album of diminishing returns that sputters out of steam halfway through.
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In 2001, their Brit-derived goth-punk was just gaining a foothold and still felt like a novel reinvention; now, its dreary slog is as commonplace as three-chord punk after the millennium's turn.
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The melancholy on offer barely gets above the level of sixth form poetry, and though Wilson tries to sound impassioned he comes across as strained.