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This is an awesome album, almost certainly Placebo's pinnacle, although I'd love to be proved wrong.
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Alternative PressCharging rock songs and austere balladry make this album resonate more than the morass of bad music currently plaguing us. [#155, p.80]
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The album's consistency easily outmatches even the highest watermarks of either predecessor.
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While Placebo's latest, Black Market Music, doesn't have any single track as galvanizing as "Pure Morning," Molko, Swedish bassist Stefan Olsdal, and English drummer Steve Hewitt have again crafted a hip-hop-laced collection of hard-driving rock that effectively mixes clever wordplay with solid musicianship.
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MagnetThis is a decidedly more rocking Placebo. [#50, p.102]
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Though his voice and attitude crosses Pet Shop Boy Neil Tennant's nasally histrionics with Gary Numan's clinical whelp, [Brian] Molko generally keeps his guitar playing tight and tough with Gothic overtones.
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Black Market Music feels like a watershed, a merely good record after a great one, and that in itself is disappointing.
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Placebo's indie-glam rock fusion still sounds on CD like a good idea, and little more.
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Black Market Music loses its sparkle and its melodic sense whenever it grows a conscience.
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Do all of these elements add up to an album that offers something more than the usual steady diet of carefully polished, capably executed, but ultimately unremarkable angst-ridden punk-pop? Answer -- probably not.
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Unfortunately, this is not only their weakest album, it's their most confused.
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I suppose that the backstreet Black Market Music will endear itself to gender-exploring teenagers who find the girl-on-girl action in Buffy the Vampire Slayer "fucking awesome."
Awards & Rankings
User score distribution:
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Positive: 60 out of 66
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Mixed: 3 out of 66
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Negative: 3 out of 66
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Mar 4, 2013
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anna*Aug 23, 2003
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MichaelL.Jun 14, 2002