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Aug 20, 2020It never once drags or feels like a chore to listen to, for she pulls you in and keeps you enthralled for the duration. She does this across the entire album.
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UncutAug 14, 2020Swift navigates Sansone's majestic folk-rock arrangements like the able captain of a frigate sailing over shimmering seas. [Sep 2020, p.36]
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Aug 14, 2020he Nashville songwriter circles would do well to notice Swift’s vocal prowess and take a number. In the meantime what more could a Dylan fanatic ask for than this collection of sweetly roasted chestnuts?
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Aug 14, 2020It’s a beautiful piece of work by a singer with a rare interpretive gift, comparable to Emmylou Harris’s Wrecking Ball in its intent, execution and intimacy.
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Aug 14, 2020Even though there’s little definitive here–Swift and Sansone’s approach to these Dylan chestnuts is more toned down than you might expect or anticipate– it’s a generally successful, instantly likeable meeting of voice, production and of course songs.
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Aug 14, 2020Blonde On The Tracks doesn’t contain any must-hear renditions, but there is a comfort to be found in the contemplative singing of Swift and the clear production/playing of her Nashville backing band.
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MojoAug 19, 2020For the most part Swift doesn't stray far from The Great Dylan Songbook. [Oct 2020, p.86]