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Sep 18, 2020While the warm emotionality and elegant melodicism of BREACH should earn her legions of fans, it’s the little snippets of hard-to-admit truth that are going to come to mean the most to people. It’s these moments that set her apart, and are as sure a sign as any that Fenne Lily is going to grow into an even more exciting and important artist in the years to come.
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Sep 18, 2020Aside from some uninspired, though pretty acoustica (‘Someone Else’s Trees’, ‘Laundry And Jet Lag’), ‘BREACH’ is a stellar progression overall. Lily’s lurch to zestier compositions is a welcome divergence.
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Sep 18, 2020It’s a raw, cathartic, but incredibly gentle record that pushes through personal boundaries, and wonderfully reiterates the fact that it’s okay to be alone (even if you’re sleeping with your “key in the door.”)
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UncutSep 17, 2020Breach is an often quiet, hushed album, but its message - one of discovering happiness in solitude - comes over loud and clear. [Nov 2020, p.31]
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Sep 17, 2020It’s refined, mature and an affirmation of the levels she could reach, on a similar path to star labelmates Phoebe Bridgers, Mitski and Japanese Breakfast.
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MojoSep 17, 2020It's early days yet, but Fenne Lily might just be a major talent in the making. [Oct 2020, p.89]
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Sep 17, 2020Fenne Lily’s latest record is as thoughtful and emotive as her first, confirming her as a rising star in the realm of singer/songwriters. [Aug - Oct 2020, p.86]
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Sep 22, 2020BREACH, Lily’s first album for Dead Oceans, is a scruffier, more far-ranging record about developing a self in your twenties.
User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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Dec 13, 2022
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Oct 8, 2020Dreamy. Fenne Lily has a beautiful voice; “Berlin” and “l used to hate..” great tracks. A worthy follow-up to On Hold.