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While it's still age-appropriate for minors, Breakout is for the big kids too.
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After all this fun, Breakout's second half gets overly ballad-heavy--guess that's where the growing up factors in--although, impressively, she's a dead ringer for the Dixie Chicks' Natalie Maines on the mournful 'These Four Walls.'
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While Breakout isn't as much of a breakthrough as it could be, it still moves Miley closer to an identity and career outside of Hannah.
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With Breakout, Cyrus has clearly made a choice to break from the shiny, happy "Hannah Montana" character, but she hasn't scuffed her sound up so much that her fans won't recognize that she's just being Miley.
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Breakout is unlikely fodder for the razzle-dazzle road shows and 3-D concert films to come. As a portrait of the artist as a young malcontent, though, it's rarely less than fascinating.
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The only thing Britney ever did better was cut loose, and even through Breakout's title suggests both a debutante's cotillion (leaving Disneyland and entering the airwaves) and an emotional liberation, Miley often sounds held-back and controlled.
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Breakout is a puzzling mishmash that makes sense only if you read between the lines and see the 15-year-old trapped in a machine that is partly of her own design.
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With Breakout, Disney's queen bee finally has a sophisticated pop record under her own name, and she's venting the frustrations of a teen who's too grown-up to submit to her parents, teachers or anyone else.
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On closer inspection, it's clear Cyrus is hell-bent on stepping out of that pop princess territory--but only just.
Awards & Rankings
User score distribution:
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Positive: 209 out of 266
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Mixed: 10 out of 266
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Negative: 47 out of 266
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Sep 12, 2011
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Jul 16, 2016
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Jun 10, 2015