- Critic score
- Publication
- By date
-
FilterChemical Chords is yet another kaleidoscope that hits you as ear candy upon first listen, but like most Stereolab records, further inspection reveal a playground for the mind. [Summer 2008, p.97]
-
They're editing, giving simple ideas more impact by reducing their exposure, preventing a "Saturday Night Live" skit from becoming a "Saturday Night Live" movie.
-
To that end, the whole album has a lightness of touch that makes it sound warm and comfortable, especially after the sad weight evident on the also-excellent "Margerine Eclipse."
-
That they’ve somewhat restricted themselves in the way the record was constructed is also, oddly, a very good thing because it’s allowed them to strain and work within a framework and yield excellent results.
-
Chemical Chords is more compact, true, but they’ve not lost their character through economy.
-
Stereolab learn to stop being boring and love the pop.
-
Chemical Chords manages to be even more concisely charming than that album, sacrificing little of Stereolab's distinctive sound for its immediacy.
-
Though some of the oddball, art-house tendencies have been lost in this new translation of the band’s music, there has never been a better, brighter or more immediately satisfying pop soundtrack to Das Kapital.
-
this is nothing amazing but after the understandably sombre "Margerine Eclipse" (2004), the studious "Fab Four Suture" (2006), and Laetitia’s cerebral study into duality of the self on "Monstre Cosmic" (2008), it is refreshing to feel the joy.
-
While some tunes, like the Columbo-background-music-ready title track, suffer for their weightlessness ('Metronomic Underground,' we miss you), the Motown-meets-Esquivel 'Self Portrait With Electric Brain' and beat-oriented electro of 'Valley Hi!' and 'Pop Molecule' read as exquisitely wrought.
-
Under The RadarChemical Chords is just what the doctor ordered. [Summer 2008, p.84]
-
Diehards will probably resent their new predictability and homogeneity, but the group's mature phase is capable of generating one hell of a pop album.
-
On Chemical Chords, there’s nothing in the 14 pleasant-sounding tracks that we haven’t heard them sing about--in breathy, jazz-cat-inflected French--several dozen times before.
User score distribution:
-
Positive: 8 out of 9
-
Mixed: 1 out of 9
-
Negative: 0 out of 9
-
DavidFSep 8, 2008This is a real treat, and easily their best since EMPEROR TOMATO KETCHUP - if not their best ever.
-
KurtCAug 28, 2008
-
SeanNAug 20, 2008Stereolab is going the distance, and so am I.