• Record Label: PIAS
  • Release Date: Aug 18, 2017

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
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  1. Sep 21, 2017
    The supplemental voices are used to positive effect, whether they contrast with or echo Ejimiwe's plaintive surveillance of personal and societal ruination.
  2. Sep 14, 2017
    Whatever’s ailing him, he cuts through the murk for his most confident, affecting and clear-sighted album yet here.
  3. Aug 24, 2017
    Dark Days + Canapés is quite simply Ghostpoet’s most accomplished record to date. As lyrically smart as his debut, and building on three albums’ worth of musical experimentation, it feels like Ejimiwe has finally found his niche.
  4. Aug 23, 2017
    [A] sensitively-written and fearlessly-recorded album.
  5. Aug 22, 2017
    On Dark Days + Canapés, the sense of darkness becomes a bit wearisome. Yet, come the end of the year, this will no doubt be held up as one of the albums that held a mirror to its times. It also confirms Ejimiwe as one of this country’s most vital voices.
  6. Aug 22, 2017
    A fantastically uniformed piece, Dark Days + Canapés boasts a rare sense of unity, the aural palette bringing together hugely disparate elements to conjure something of real impact.
  7. Aug 21, 2017
    Ejimiwe forgoes the disjointed electronic sounds of his first two records in favour of a hazy alt-rock backing, but he’s now at home in this style and his languid, sung-spoken monologues sound their most assured.
  8. Aug 18, 2017
    It might well be his most musically bold but thoughtful album to date, yet another stage in Obaro Ejimiwe’s fascinating evolution.
  9. Aug 14, 2017
    A taut, fraught dalliance with '90s trip-hop melancholy vivified by spidery Sisters Of Mercy-esque guitar figures and a gruff cameo from Massive Attack's Daddy G. [Sep 2017, p.91]
  10. Q Magazine
    Aug 14, 2017
    His fourth LP proves his strongest to date, a mesmerising meditation on uncertainty and unease, which bridges the gaps between urban poetry, post-rock and brooding electronica. [Sep 2017, p.117]
  11. Aug 14, 2017
    The album is an expertly crafted assault on the fallacy that ignorance is bliss, an eye-opening invitation to see our society for what it really is. Bliss is overrated anyway.
  12. Aug 18, 2017
    Ghostpoet’s vocals are delivered in a consistent, mumbled, emotionally-drained understatement throughout, lending the album a sense of authenticity that it could not survive without.
  13. 70
    His languid delivery belies the very real anxieties that Dark Days + Canapés is scored through with, but the nervy sonic backing absolutely serves to accentuate them; what that leaves us with is an album that's more about personal politics than global ones, but that still feels scored through with the suffocating disquiet of life in 2017.
  14. Uncut
    Aug 14, 2017
    Dark Days And Canapes feels both bleaker and more robust than [earlier works]. [Sep 2017, p.28]
  15. Sep 25, 2017
    He has created such a strong, affecting soundscape that for the most part of the record it is uncomfortable to listen to. Whether that is by design or not, Ejimiwe has administered a macabre marriage of sound and speak that are made for each other.
  16. Aug 17, 2017
    Ghostpoet is merely exploring the world around him, but unlike Radiohead’s OK Computer, incredibly insightful and prophetic 20 years on, its unambiguous, unbridled hopelessness is wearing.