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Darling of the Afterglow Image
Metascore
75

Generally favorable reviews - based on 7 Critic Reviews What's this?

User Score
7.0

Generally favorable reviews- based on 9 Ratings

  • Summary: The second full-length release for the Canadian electro-pop artist features a cover of Chris Isaak's Wicked Game.
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Top Track

Ricochet
A fingertip on the domino How does it feel? The calm before the storm So won't you tell me straight I'm not at all Solely your primer Live for the... See the rest of the song lyrics
Score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. 80
    Classically trained, the breadth of Ainsworth’s talent is laid bare on Darling Of The Afterglow.
  2. Mar 29, 2017
    80
    Ainsworth's ornate palette and attention to detail may not attract casual listeners, but those drawn to the icy yet vulnerable strangeness of acts like FKA twigs or certainly Ainsworth's first album will find a rewarding set that expands with repeat plays.
  3. Mar 29, 2017
    80
    Bold and stirring, Darling of the Afterglow further establishes Lydia Ainsworth as a master of arrangement and melody, and pushes her just a few more inches toward the mainstream, where a larger, captivated following surely--and deservedly--awaits.
  4. 80
    Here, it’s clear Ainsworth understands the importance of experimentation, building something familiar yet otherworldly.
  5. Apr 4, 2017
    70
    While she is hardly the only artist mixing traditional musical forms with contemporary electronics, she does so with her unmistakable touch. Her latest album broadens and expands the reach of her already deft compositions.
  6. Apr 17, 2017
    66
    She hasn’t yet sorted out the particular combination of influences that fit her strengths, and few of the songs’ melodies are compelling enough to overcome the album’s strangely stale take on alternative pop.
  7. Apr 20, 2017
    40
    While Ainsworth is getting closer to making an impact with her sultry romanticism, she also hasn’t refused to give up that producers’ mentality that stifles her more spontaneous urges.
Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Apr 25, 2017
    7
    While she does have an ear for sound and different styles, it feels like there is too much going on here. Too many styles crammed into 11While she does have an ear for sound and different styles, it feels like there is too much going on here. Too many styles crammed into 11 songs can sound quite cacophonous at times; however, Ainsworth confidently prowls over each track as her voice tumbles and leaps in many interesting ways that keep you listening. Expand
  2. Apr 30, 2017
    7
    Lydia Ainsworth proves to be one of the most eclectic and versatile producers and performers nowadays, mixing lush orchestral and baroque popLydia Ainsworth proves to be one of the most eclectic and versatile producers and performers nowadays, mixing lush orchestral and baroque pop with oddly dark electronics. However, the formula sometimes doesn't work really well, and the sum of the parts makes for overdubbed and over-the-top songs. Expand