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Oct 25, 2019Vols. 11 & 12 yield nothing but successes. The eight tracks here are scrappy, sure, and have the understandable feel of demos rather than fully formed final products. But the bones of the beast? Well, they’re kind of brilliant.
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Oct 30, 2019The latest iteration of Homme’s continuous project has come a long way since the epic jams of the late 90s, having evolved into more refined, and fully realised series of releases, never failing to inhabit the spirit of risk and adventure.
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Kerrang!Oct 28, 2019It crucially all gels properly into something all of its own, rather than disparate parts that won't mix no matter how hard they're shaken. [26 Oct 2019, p.54]
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Oct 25, 2019There’s little to complain about here, honestly. I think the only flaws I have with Vol.11 & 12 fall on the things it doesn’t utilise to the fullest. ... The important takeaway from this is that it is a really fun record to listen to. It’s short, it’s tightly written, and it will cater to a broad demographic of listeners.
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Oct 25, 2019None of these parts seem to fit on paper, but on record it's a gas hearing a group of gangsters and pranksters giddy on their own good times.
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Oct 24, 2019Overall, there’s enough rock star swagger here to live vicariously through, and the sense that the Joshua Tree party will ride again for years to come. So crack open that fancy bottle and let your hair down.
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MojoOct 22, 2019A lysergic brew of dust-blown ballads, thumping punk rock and shimmery psychedelia. The jarring stylistic clash is often part of the charm. [Dec 2019, p.88]
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Oct 31, 2019The sound of a collaboration remains a refreshing and wonderful thing. In fact, perhaps the best way to describe the material included on Vols. 11 & 12 would be to borrow the title of a long-running magazine devoted to Led Zeppelin: “tight but loose.”
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UncutOct 22, 2019Laid-back and loose maybe, but neither lazy nor lacklustre. [Dec 2019, p.33]
User score distribution:
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Positive: 16 out of 18
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Mixed: 1 out of 18
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Negative: 1 out of 18
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Nov 24, 2019
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Oct 30, 2019