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While it's not torture to listen to Dirty Dancing repeatedly, it does contain more than its rightful share of slip-ups and missteps.
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While it's tempting to write it off as but one more retro paste-up, Swayzak's uncanny sense of texture, timbre, and space justifies an approach that otherwise seems like a drift toward Alzheimer's.
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Dirty Dancing works best when there is something to balance against the brittle, Atari-era underflow.
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Unfortunately, the vocalists riding on top of the grooves, from the limpid Clair Dietrich to the ridiculously affected Jeremy, are uniformly l-a-m-e.
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MixerA lukewarm tribute to '80s industrial music. [Sep 2002, p.80]