• Record Label: XL
  • Release Date: Feb 9, 2024
Metascore
73

Generally favorable reviews - based on 4 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 4
  2. Negative: 0 out of 4
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  1. Mar 13, 2024
    83
    While his desire to evoke the druggy euphoria of early U.K. club music has sometimes jostled against his ear for atmosphere (as on his contributions to the Shock Power of Love split with Blackdown), those two extremes are more fully integrated than ever on these two 13-minute tracks.
  2. Mar 13, 2024
    80
    This is a return to the epic 12-minute suites of releases like Truant and Rival Dealer, flashing back to some of the same samples and themes. Second side "Boy Sent from Above" is the more soul-searching of the two, with lonely vocals calling out from the fog of vinyl crackle and spray can shaking.
  3. Mar 13, 2024
    76
    If you love Burial—particularly the maudlin turn of his work over the past decade—you’ll love the outsized pathos of “Boy Sent From Above” and the high drama of “Dreamfear.” If you feel like you’ve heard enough pasted-on vinyl crackle to last a lifetime, or aren’t particularly invested in the hagiography of rave music’s formative years, you probably won’t find anything new here.
  4. The Wire
    Mar 13, 2024
    50
    “Dreamfear” sticks to the artist’s more conventional penchant for collage-style dance music. .... “Boy Sent From Above” is less convincing, clumsily layering Auto-Tuned vocals over the kind of schmaltzy synth one might hear in pop outfits like Yazoo. [Mar 2024, p.54]

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