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May 6, 2022Rock'n'roll in 2022 doesn't get any better than this. [Jun 2022, p.82]
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May 16, 2022As the record swiftly spins through these production and melodic hooks, it gives the impression of a jukebox filled with a bunch of excavated gems, and that's not a bad comfort zone for the Black Keys at all.
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May 11, 2022Fame, fortune and influence haven’t dulled their initial impulses, something made clear on the hypnotic unvarnished vibe created throughout the superb Dropout Boogie.
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May 10, 2022It’s easy to envision any one of these tracks performed live as almost all have singalong type choruses and hip-shaking grooves, certainly the case for “Baby, I’m Coming Home,” which has enough fiery guitars sounding off that it suggests Gibbons has strapped on his axe too. The closer, “Didn’t I Love You,” brings blues riffs, guitar distortion, and a rawness, emblematic of the garage-rock that first stamped this enduring band.
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UncutMay 6, 2022A “Time Of The Season”-like Latin groove powers standout “It Ain’t Over”, syncopated by percussionist Sam Bacco, whose tambourine and shakers are the album’s secret sauce. [Jun 2022, p.25]
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May 13, 2022Dropout Boogie is full of hearty, feel-good songs that make me think of irreverent comedies like The Full Monty or The Commitments or any film featuring ragtag characters trying to get by.
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May 11, 2022Twenty years on from their debut, ‘The Big Come Up’, it’s a statement of how far they’ve come, as well as an indicator of where they might be heading next.
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May 6, 2022The svelte, 34-minute Dropout Boogie — which comes out the day before the 20th anniversary of their first album — keeps things similarly crunchy.
User score distribution:
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Positive: 20 out of 28
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Mixed: 4 out of 28
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Negative: 4 out of 28
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Jun 25, 2022The Black Keys weakest album to date by far. Almost every track sounds leaden and uninspired. It's predecessor Let's Rock was far superior.
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Aug 1, 2022
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Aug 5, 2022