- Critic score
- Publication
- By date
-
Q MagazineDec 22, 2011This is an electrifying collection of electronic music with heart and soul as well as dancefloor throbs. [Jan 2012, p.1222]
-
UncutDec 12, 2011This release compiles non-album tracks, remixes and a couple of new tunes, but it feels like a perfectly focused set of retro-modernist dance. [Jan 2012, p.90]
-
Nov 30, 2011An odds 'n' sods affair consisting of a tour-only EP release, some extant singles and remixes, Everybody Get Close still maintains the cohesion of a studio album.
-
Nov 30, 2011While this may be something of a stopgap release while Maclean tries out a new venture or two, Everybody Get Close has plenty of dancefloor noise, and is switched on to the rhythm throughout.
-
Nov 30, 2011Some of these feel like scraps and sketches, others like the B-sides they are--which is fine when the scraps are this frequently exciting--but given the range of his output so far, what would be most satisfying would be to get a glimpse of where MacLean's heading next.
-
Nov 30, 2011An anthology that holds its own against MacLean's "official" releases.
-
Nov 30, 2011Everybody Get Close is a digital-only, stop-gap collection of rare tracks, remixes and outtakes that will sate both the Juan-derful fans, as well as electronic dance music listeners who are too busy looking vacant to create their own playlists.
-
Nov 30, 2011As is often the way with collections of B-sides, EP remixes and rarities, The Juan Maclean's Everybody Get Close is a mixed bag featuring some very lofty highs and a whole bunch of stuff that the world probably never cried out for, but will be more than happy to have gleaned as a result.