- Critic score
- Publication
- By date
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Entertainment WeeklyShe is to Norah Jones what Ornette Coleman is to Kenny G. [21 Mar 2003, p.112]
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Highly cerebral, the visceral kick hits on the third or fourth play.
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So, after all this time is she still worth the time of day? Without a shadow of a doubt.
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BlenderThe songs are richly and surprisingly textured, having more in common with experimental jazz than folk. [#15, p.122]
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Sprawling, funny, angry, compelling, and entirely unafraid.
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Q MagazineA fine souvenir of DiFranco's recent jazzy excursions. [May 2003, p.102]
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UncutMake the most of these subtly funked-up arrangements with their horns and clarinets and bebop percussion. [Jun 2003, p.104]
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This aesthetic journey has alienated longtime fans missing the concise, angry Ani while attracting newbies charmed by her chops. Evolve speaks to both camps with a succinct summation of her experimental side, here focused and more refined.
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Unfortunately, DiFranco's infatuation with the new arrangements enshrouds her literate lyrics.
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SpinThis quasi-funky, horn-section-assisted record demonstrates that as a jazz vocalist, Ani's a fine folk singer. [Apr 2003, p.107]
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The arrangements and solid production, however, aren't enough to save the material.
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The singer spends most of Evolve dithering on elastic, airy, funk-jazz excursions that convey few opinions or emotions, not to mention hooks.
User score distribution:
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Positive: 7 out of 9
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Mixed: 0 out of 9
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Negative: 2 out of 9
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Jan 25, 2012
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NShockeyApr 25, 2003
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StheBApr 16, 2003