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MojoApr 4, 2011Just like her collaborator Bon Iver, Lia Ices seems to instinctively know that less is delectably more. [Mar 2011, p.p94]
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UncutFeb 23, 2011This is a hugely varied set: the title track starts with a barrage of Missy Elliott-style clapping, "New Myth" sounds like a mournful colliery band anthem, while the gorgeous "Daphene" sounds like a folk-rock Fleetwood Mac. [Feb 2011, p.89]
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Feb 16, 2011An album to relax into, over weeks and months, this is one many will be coming back to whenever stress levels flit into the red.
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Feb 16, 2011Ices' lush melodies and dreamy voice will convert skeptics and mesmerize supporters of Kate Bush and Joanna Newsom.
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Feb 16, 2011Like Vernon's For Emma, Forever Ago, this is Ices' breakthrough album-the first notable release from an artist who will no doubt record more of them in the coming years.
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Feb 16, 2011That kind of less-is-more approach, where all the clutter is shaved down to a paper-thin framework, is where Ices produces her most affecting material, potentially sketching out a new strain of inspiration for her to follow next time out.
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Feb 16, 2011Grown Unknown explores a kind of lost elegance: it's half drowned-in-gorgeous-reverb country of the kind Gram Parsons could nod sagely at, half stately post-'60s rock & roll as elegant mood music via the Band rather than Roxy Music.
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Mar 8, 2011As strong and alluring as she may be, however, the album is a straightforward waltz through Bon Iver territory.
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Apr 7, 2011By never taking her spare, mystical tunes down the typical singer/songwriter avenues, Ices sets herself apart from both the New Age and the folky acoustic guitar sets.
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Under The RadarMar 9, 2011These rather minimal tracks tempt because of Ices' fervor for ritualistic body percussion and headphone-ready mixing. [Feb 2011, p.73]
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Feb 16, 2011The overall effect of Grown Unknown is subtly powerful. For an album so quiet, so insistent on its plodding pace, there are moments of sheer beauty and surprising energy.