Universal acclaim - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
Buy On
  1. Uncut
    Jun 4, 2020
    Head Above The Water is a triumph of sensitivity, as Power's exquisite voice gives shape and contour to folk-centric songs that assimilates elements of country, jazz and experimental drone. [Jul 2020, p.33]
  2. Jun 12, 2020
    Not only is Head Above The Water a collection of beautiful deep-psych lullabies of the heart, it’s also a tender reminder of the importance of compassion and support when life gets tough.
  3. 80
    As on Power’s previous albums, there is a delicious tension between the ethereal succour offered by her voice and the turmoil these thrumming songs are processing. Often, wordless emoting is the only solution; Power’s tones flow like starlings above her mantric guitar and that of her partner and collaborator Peter Broderick.
  4. Mojo
    Jun 4, 2020
    The sound has been filled out. ... The burnished folk rock accentuates the intimacy of Power's voice and her writing. [Jul 2020, p.80]
  5. Jun 4, 2020
    You can almost smell Power’s building confidence throughout. Melodies boast a previously little-seen directness, while somehow retaining their delicacy.
  6. Jun 4, 2020
    There are some obvious flaws. The uniformity of mood, melody, and texture means the album can drag, and while the spontaneity of the recordings is largely vindicated by the results, it also leaves some loose threads dangling. ... At her best, however, Power lives up to her name.
  7. Jun 8, 2020
    On her third album, the Irish folk singer has created a record shrouded in mysticism and mystery – that carries the listener far away from lockdown life. The star of the show is Power’s vocal.
  8. Jun 5, 2020
    Two years later, Head Above the Water reveals a calmer, more self-assured version of Power, one that has come out the other side, if with battle scars.

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