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- Artist(s): Adam Weiner, Dan Finnemore, James Everhart, Will Donnelly
- Summary: The third full-length release for the Philadelphia rock band was produced by Thomas Brenneck with contributions from Dean Ween and tUnE-yArDs' Merrill Garbus.
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- Record Label: Contender Records
- Genre(s): Pop/Rock, Alternative/Indie Rock, Rock & Roll, Retro-Rock
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Oct 28, 2015If Hi Honey is a resurrection, think of it as a rowdy revival tent: they're preaching the gospel of good old rock & roll sleaze and boogie, sounds that are always infectious when they sound as good as this.
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UncutDec 11, 2015Brimming with visceral rock'n'soul that channels the spirit of The Replacements, The E Street Band and Alabama Shakes, and mixes them into an irresistibly tasty gumbo. [Jan 2016, p.77]
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Oct 28, 2015lude tUnE-yArDs’ Merril Garbus, who supplies an urgent, rhythmic vocal from on the spooky and stellar “Little Queen Of New Orleans.” Low Cut Connie teases these flourishes throughout Hi Honey, making for an album that’s both retro-minded and forward-thinking.
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MojoOct 28, 2015Hi Honey ultimately triumphs thanks to its creator' perfect chemistry. [Aug 2015, p.93]
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Nov 9, 2015At its best, it’s tremendous stuff, with droll, sardonic portraits of lovers and losers punched along by grooves that sound variously like the Spencer Davis Group produced by Holland-Dozier-Holland (“Shake It Little Tina”), Stonesy raunch pitched midway between rock, funk, soul and country (“Me N Annie”), and sundry suggestions of Elton John, The Replacements and Calexico.
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Oct 28, 2015This is no retro scholarship--it's living, fire-breathing, furniture-tossing history.
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Oct 28, 2015It’s bashed out in an exuberant blast of piano-stonkin’ late-60s rock’n’soul that occasionally wanders into poppy, kitschy Elton John territory, but owes most of its groove to the lean, mean, stray-cat blues of Beggars Banquet.