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Cream is a victim of the times, no more than a mere face in a pop culture marketplace crowded with sexual aggrandizing and salacious controversy. The kind of antics Peaches has built her career on--pushing and pulling at the accepted boundaries, tongue-in-cheek shock value--are now a common rite of passage for artists pushing their edgy shtick.
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Ideology aside, this is a diverse album that retains her trademark dirty electro but on collaborations with Simian Mobile Disco still delights.
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Ultimately, Peaches shows herself developing, late in her career, but unlikely to infiltrate the market she's targeted.
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Though it hits only a few different notes, Peaches' bawdy pop feels like a refreshing breath of filthy air.
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Q MagazineShe might be too rude for mainstream fame, but the synthesis of blood and electricity is bracing, even if the title's far less funny than previous albums. [Jun 2009, p.130]