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Oct 16, 2014I Forget Where We Were is an album to grow into rather than one of instant satisfaction, one that blossoms upon every subsequent listen, one to clutch close to your heart and cherish forever.
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MojoNov 19, 2014A challenging move from such a young artist who deserves to have his fans take a leap of faith. [Dec 2014, p.94]
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Q MagazineOct 29, 2014Musically adventurous, sonically daring and really rather stunning. [Nov 2014, p.112]
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Oct 28, 2014Rarely is it as uplifting as his debut, but it's often as anthemic, and nurtures an ember of depth that may have been glossed over before.
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Oct 22, 2014It’s an impressive, tantalising work from an artist who has dared to take the path less travelled.
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Oct 16, 2014He’s still not much of a lyricist, preferring non-specific faux profundity--“Clearly calm I’m keeping terrorised/ The ageless thaw of winter/ Alone but by your side”--to clarity. But taken as a mood piece, I Forget Where We Are is actually rather lovely.
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Oct 16, 2014It’s a sensitive and technically more profound outing.
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UncutNov 11, 2014While there are a few too many round-the-campfire gloom-fests on I Forget Where Were, there are also displays of real musical background. [Dec 2014, p.77]
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Oct 20, 2014Howard expects you to meet him on his own terms and provides just enough aural enticement to give him not just one listen but a second, which is when I Forget Where We Were really begins to sink in its hooks.
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Oct 16, 2014Self produced by Ben and his drummer Chris Bond at Start Point Farm Studios in Devon, I Forget Where We Were is a grand, serious affair. It’s a somewhat major departure for the artist, and with the far longer running times (only one song clocks in under the four minute mark).
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Oct 16, 2014There’s little here to alienate his fanbase: these 10 tracks might sprawl in length but they’ve a familiar mesh of earnest words and slow builds, autumnal in hue but with a fireside warmth.
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Oct 21, 2014As mild as the music might often sound, this is an album that cuts deep.
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Oct 19, 2014[I Forget Where We Were] hangs together well, his David Gray/Damien Rice-like vocals resting on a bed of skittering drums, crafty guitar and fedback chords. Individual tracks take their time to get going (only one song here comes in under four minutes) and numbers such as opener Small Things break after two or three minutes to build back up from a pleasant plod to a sustained fug of sound.
Awards & Rankings
User score distribution:
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Positive: 53 out of 58
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Mixed: 1 out of 58
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Negative: 4 out of 58
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Oct 21, 2014
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Oct 20, 2016
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Jun 9, 2020This review contains spoilers, click full review link to view.