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Feb 21, 2023Each track on in|Flux has a soul and heart of its own.
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Mar 21, 2023By the end of this beautiful, relatable record, Savage has proven again why she’s one of the most exciting voices in music today, able to meld her unique stylings with a cathartic core. It’s an album you’ll return to again and again, finding new layers or lyrics on each listen.
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Feb 16, 2023On first impression, in|FLUX is almost alienating, an unsettling listen that does all but invite you back for more. But with determination, passion, and survival instinct – the very feelings explored at such length – it yields excellence.
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UncutFeb 16, 202310 idiosyncratic pop songs marked by her cool, tremulous timbre, unusual cadence and almost bluntly conversational lyrics. [Mar 2023, p.35]
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Feb 16, 2023Consistently theatrical but intimate, the song increases in volume, adding components like strummed guitar and active tom drums as Savage's plea -- "Stop haunting me/Please/Just leave me be" -- gets more insistent. While the rest of in|FLUX maintains that song's often captivating sense of brewing urgency and poignancy, arrangements alter as it passes through even sparser balladry ("I Can Hear the Birds Now," "Hungry"), skittering, full-kit indie rock ("Pavlov's Dog," "Crown Shyness"), the eventual acoustic cacophony of "Say My Name," and an art-funky title track.