• Record Label: WEA
  • Release Date: Mar 22, 2024
Metascore
84

Universal acclaim - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7
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  1. Classic Rock Magazine
    Mar 29, 2024
    90
    This album is the high point of his career, and it could be one of the finest albums you'll hear this year too. [May 2024, p.76]
  2. Mar 29, 2024
    83
    Taking his cue from predecessors like Clinton, Wonder, and Prince—consummate artists who defied genre and charted their own musical course—Clark relishes in his boundless freedom. His virtuosity throughout is commendable and often quite impressive.
  3. Mar 29, 2024
    80
    Gary Clark Jr.'s catalog shows he has the talent, intelligence, and vision to make a grand scale musical statement out of any style he chooses, and JPEG RAW only reinforces that notion; he's been creating some of the boldest and most interesting guitar-based music of his time, and this is as exciting and rewarding as anyone could hope.
  4. Mojo
    Mar 21, 2024
    80
    His best (if worst-titled) work so far. Sometimes JPEGRAW's 12 tracks feel like they're ticking boxes: a flurry of lounge piano blues here, a blast of jazz trumpet there... But there's a clarity to the writing, with his vaulting ambition accompanied by strong hooks and an even stronger pop sensibility. [Apr 2024, p.84]
  5. Uncut
    Mar 21, 2024
    80
    His most expansive statement to date, a swaggering collage of blues, boogie, hip-hop and fuzzy rock riffs on which - unlike with, say, Joe Bonamassa - the songs are never subjugated to grandstanding guitar pyrotechinics. [Apr 2024, p.31]
  6. Mar 21, 2024
    80
    JPEGRAW is both a musically dense snapshot of an American stoner dad just trying to focus in a world that allows for anything but, and an album that amalgamates an array of sounds, influences, riffs, and samples while still finding room for the searing guitar solos that made his reputation.
  7. Mar 21, 2024
    70
    The second segment begins with a solo lullaby “To The End of the Earth” followed by the warm trumpet tones of Keyon Harrold in the smooth, string-imbued R&B ballad, “Alone Together” with Clark Jr. singing falsetto. The empathetic mid-tempo funky shout-out for the homeless “What About the Children” features Stevie Wonder, sharing co-writing credits, singing with the leader, as well as playing his signature clavinet and harp. This is the album’s most cohesive segment. .... Take the album at its intentions. Clark Jr. is blurring the genres, as he strives to be an important voice of hope and positivity.

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