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Sep 2, 2014The Kooks have come out fighting though, completely re-evaluating and overhauling their sound and the result is an exuberant fourth album bristling with character.
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Q MagazineAug 29, 2014This is a very good album. The Kooks sound like a band rejuvenated. [Oct 2014, p.105]
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Aug 29, 2014The band have managed to pull it off again, with an engaging collection that refuses to be hidebound by the strictures of indie-rock.
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Sep 2, 2014New drummer Alexis Nunez adds a percussive edge, but much credit must go to hip-hop co-producer Inflo for this fresh lease of life.
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Aug 29, 2014Especially after the staid Junk, the deliberate liveliness of Listen is indeed welcome, and sometimes, the results come close to infectious.
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Aug 29, 2014It's a fun listen, with shades of Ram-era Paul McCartney, the Stones and Shuggie Otis, full of eccentric funk and boogie captured on vintage instruments.
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Sep 8, 2014Listen is set to force you into either accepting the band’s new identity or hitting upon the realisation that the band you originally fell in love with have moved on.
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Sep 8, 2014Rather than evolution, Listen offers questionable overindulgence in funk, soul and chopped beats.
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UncutAug 29, 2014Guitarist Hugh Harris can still finesse a scintillating riff, but derivative would-be hipster anthems with hip-hop bolt-on "Around Town" and "It Was London" suggest a band aware that their time has come, and gone. [Oct 2014, p.74]
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MojoSep 12, 2014Listen throws a helluva lot at the wall, and not much sticks. [Oct 2014, p.89]
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Sep 2, 2014The album's sole affecting track is the simplest--See Me Now.... Elsewhere, though, Listen exudes desperation, its shortcomings underlined by It Was London, a graceless stab at social commentary.
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Sep 3, 2014Nothing, not even their own past as a middling indie-pop crossover act, is sacred, and it’s sad to see The Kooks attempt to conjure past glories and fall flat.
User score distribution:
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Positive: 28 out of 44
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Mixed: 2 out of 44
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Negative: 14 out of 44
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Sep 3, 2014
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Sep 9, 2014
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Sep 8, 2014