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But given the infectiously goofy tunes on Love the Future--the Beastie Boys covering the Beach Boys?--it might not be long till Wallach's girl trouble is real.
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Could this really be Chester French's first album? Love the Future sounds too wise--and too catchy--to possibly be the debut from recent Harvard grads D.A. Wallach and Max Drummey
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Chester French have deftly balanced the thrills of newness with the reliability of the old--not bad a for a couple of graduates.
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Their major-label debut gets by on smarmy-smooth suburban- pop melodies, cheeky genre mash-ups, and good bad jokes.
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Too intelligent and well-crafted to dismiss but too disjointed and self-indulgent to really embrace, Love the Future is equally frustrating and promising.
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The end result isn't quite as lovable as they'd like.
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Though a few of the songs on Love the Future fail to capture the spark of their early successes, overall it’s a fairly impressive introductory statement.
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The band's way with a catchy hook and a summery, laid back vibe may yet see them overtake Maroon 5, but that's where their lofty thoughts should settle for now.
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None of the band’s stylistic flourishes are pulled off well enough to convince you they could do one style effectively, nonetheless the 10 they try out here.
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Though there’s a lot to dislike, there’s also the bones of something interesting here. If only they’d stuck with making more numbers like the enticing Adam Green-ish gypsy pop of ‘Neal’, they might just have won us over.
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Their full-length debut--anchored by sunny ’60s-style pop festooned with strings and heavy-handed synths--also includes a Portugese track, a classical-music interlude and (enough already!) a tap-dance routine.