Dec 18, 2020Ad hoc, anything goes is the mood of what follows. Much is accomplished and playful. ... When he allows himself to forget who he is and just remember what it is that he does, he can still come up with songs to surprise you. More impressively, maybe even surprise himself.
Dec 18, 2020Though the album has its share of pleasingly ramshackle numbers, there are a good number of “real” songs here, ones you can imagine fitting in on “Flaming Pie” (which had a deluxe reissue this year) or “Chaos and Creation in the Backyard.” But it’s some of the goofier or slightly more experimental tracks that, for a certain breed of fan anyway, make the ramshackle “III” even easier to love than the more formal “Egypt Station.”
Dec 18, 2020McCartney III will likely go down as one more intriguing artifact from this deeply strange year: an above-average quarantine album from one of the highest-profile artists yet to share their lockdown material. Left alone with his thoughts like the rest of the world, Paul McCartney turned solitude into something unifying. The end result has its flaws, but the sentiment certainly doesn’t.
Dec 18, 2020Absolutely brilliant. Loved it. Really impressed by the guys talent still being there at 78. Then again, what could we expect differently fromAbsolutely brilliant. Loved it. Really impressed by the guys talent still being there at 78. Then again, what could we expect differently from Paul McCartney.
- Pretty Boys
- Seize The Day
- Winter Bird/When Winter Comes
- Find My Way… Expand
Dec 18, 2020Exactly what we needed in quarantine. I love the creativity and optimism in this album, while most other quarantine albums have been moreExactly what we needed in quarantine. I love the creativity and optimism in this album, while most other quarantine albums have been more about isolation and depression. Melodically, McCartney is still the best there is. Probably the best there has ever been, in any genre or era of music, from a melodic sense.… Expand
Dec 27, 2020Since his departure from The Beatles, the beloved songsmith has alternated between skillfully-written pop masterworks to complete pieces ofSince his departure from The Beatles, the beloved songsmith has alternated between skillfully-written pop masterworks to complete pieces of **** Who would deny the excellence of Ram, Band on the Run, and Flaming Pie? On the other hand, who in their right mind can stomach head-scratchers like Wildlife, Press to Play, and the coma-inducing pablum, Give my Regards to Broad Street. Let's face it; what you get out of a Sir Paul release is anybody's guess.
Interspersed among his bipolar discography is a triad of numbered albums that beg the question, what is so special about this triumvirate? What they appear to represent are three experimental shifts in style and direction. "I" was a lo-fi introspective shift away from Beatlemania. Ten years later, after the dissolution of Wings, "II" set an experimental tone for his next era of pop profundity. Fast forward forty years. In the middle of a pandemic, which he dubbs "rock-down," McCartney finds himself at the final transformational point in the triad.
This current incarnation harks back to the first. Let's face it; Paul was the polished Beatle, the produced and precise Beatle, while John was rougher around the edges. The combination of the two is what made the magic. On "III", John lets himself go. He skips the razor and hairbrush, and as a result, we see more of his authentic self. He creates grooves and then jumps into them to explore space within. There's a little John Lennon in these tracks, and thus, a bit of magic is conjured.
"Long Tailed Winter Bird" sets the pace with a vibrant blues riff greeted by scuffled rhythm and vocals a third of the way. "Find my Way' shines the light of hope into the dark space of our modern times with pop savvy. "Women and Wives" is a refreshing conjuring of a bare-bones blues ostinato. "Deep, Deep Feeling" evokes the modern soulfulness of James Blake or Mac Miller.
"Deep Down" contains the lyric 'Yankee toes and Eskimos can turn to frozen ice' which McCartney wrote upon impulse and later determined that "it's best not to question too deeply a lyric" and left it alone. The closing track, "When Winter Comes," revisits the album's opening blues riff, building and accentuating dramatically. Much like 2020, we begin in the winter and end in the winter with a whole lot of struggle in between.
In the long and winding road that is Paul McCartney's career, "III" is a rest along a scenic vista after a rough stretch of terrain. Fingers are crossed that "III" marks a pivot from the polished and predictable toward a deeper and more introspective McCartney in his remaining days.
- Guitar & Pen… Expand
Dec 22, 2020I purchased this CD because I expected fresh lyrics that blend with acoustic/electric guitar melody.... Sorry for Sir Paul fans like me,I purchased this CD because I expected fresh lyrics that blend with acoustic/electric guitar melody.... Sorry for Sir Paul fans like me, this was performed with created melodies afterwords matched up to non-melodic lyrics. I can't recommend buying this CD unless you listen to it first from another user like me… Expand
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