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OH (Ohio), typically for the Lambchop, is at its best when it's specialising in tight-wound reserve.
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After nine albums the Nashville oddball's parade of styles has dissolved into ambient noodling.
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The Nashville band’s ninth studio album is definitely sleepy and nuanced, only Wagner’s halted singing is disintegrating further into the background as the overall sound inches closer to adult contemporary.
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Q MagazineAside from the relatively oomph-laden, piano-driven 'Sharing A Gibson Withh Martin Luther King Jr.' and a lonesome cover of Don Williams's 'I Believe In You,' there's barely a melody to savour. [Nov 2008, p.118]