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MagnetNov 27, 2013It's a soul-stirring collection of Real Ramona/University-grade musical mini-masterpieces accompanied by lyrical prose vignettes exuding the same nimble friskiness and wry, subversive brilliance that characterized Hersh's fantastic 2010 memoir Rat Girl. [No. 104, p.58]
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Dec 10, 2013The album was 33 songs a year ago, and it’s 32 now, yet it unfurls cohesively like a film.
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Nov 25, 2013Like the most powerful of drugs, it will initially make you feel queasy. But once that passes, there’s a tangible bliss to be had... it’s the stuff addictions are made of.
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MojoNov 25, 2013Hersh still transmits a visionary quality through her songs, her writing only adding to the sense of compulsion. [Dec 2013, p.88]
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Nov 15, 2013Every part of Purgatory/Paradise has meaning for the band and its listeners, making it a satisfying artifact in a time when music is becoming increasingly disposable. May they ever go against the grain.
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Nov 15, 2013Purgatory/Paradise really is unlike anything I’ve heard this year.
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Dec 3, 2013Some of the music is unplugged but scrappy, with shifting meters and the grit in Ms. Hersh’s voice; they’re more scuffle than skiffle.
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UncutNov 20, 2013A stripped-down production adds intimacy, though Hersh's voice isn't quite as strong as it once was. [Dec 2013, p.74]
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Nov 15, 2013Throwing Muses is back or it never left and it doesn’t matter which. Because while this borrows from all eras of the band’s long history, it’s got its own tense seething, it’s own structure, it’s own curiosities and, finally, it’s own impact.
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Nov 15, 2013They're quieter and less raging than they were, but retain the nagging pull of their creator's creative disturbance.
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Nov 15, 2013Purgatory/Paradise is a mixed bag, and while it lives up more to the first half of its title than the latter, its best moments still prove worthy of the wait.
User score distribution:
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Positive: 7 out of 9
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Mixed: 1 out of 9
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Negative: 1 out of 9
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Mar 4, 2017
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Dec 28, 2013
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Apr 11, 2021