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Generally favorable reviews- based on 8 Ratings
- Summary: The fifth full-length solo release for the Everything But The Girl singer features guest appearances from Bailey Rae and Shura.
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- Record Label: Merge
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 15 out of 18
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Mixed: 3 out of 18
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Negative: 0 out of 18
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Feb 27, 2018Record’s producer Ewan Pearson pushes her back, fruitfully, into an electronic setting. This creates quite a retro, Eighties sound, linear and stratified, with pulsing bass synths and tidy drum machine patterns. But it lends Thorn’s wry, sharp lyrics a welcome sparkle.
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MagnetApr 17, 2018Ewan Pearson's productions certainly bang, shimmer and simmer resplendently as called for-- but these are hardly the pro forma femmepowerment anthems it might suggest. [No. 150, p.59]
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Feb 28, 2018Pleasingly, it’s all done with New Order/Pet Shop Boys-esque synths and beats. Dancing with tears in your eyes is still dancing.
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Mar 5, 2018This third solo album--“nine feminist bangers”, Thorn has quipped, with an immaculately raised eyebrow--finds the singer up against electronic backings, drilling down into complex emotions. And some simpler ones.
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Mar 6, 2018It is the best and most meaningful music Tracey Thorn has made in a long time.
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Mar 1, 2018The Everything But the Girl chanteuse tells tales of mid-life angst with the same wry wit she's had in her voice since she was a sullen Brit-punk kid.
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Mar 1, 2018Record is solid, without a bad song on it, though with that said, aside from "Queen," "Guitar," and "Go," not much really stands out.
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