• Record Label: Anticon
  • Release Date: Nov 17, 2017
Metascore
73

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 8
  2. Negative: 0 out of 8
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  1. Nov 27, 2017
    85
    This is perhaps the most simply alive Baths has yet sounded on record, retaining enough of his emotional heft, while allowing for an entirely new collage of flashy, elated songcraft. This is Baths triumphant.
  2. Dec 20, 2017
    80
    On Romaplasm, Wiesenfeld seems to have finally made something that could pass as a pop record, exuberant in both its content and execution.
  3. Nov 20, 2017
    80
    It’s all reassuringly consistent and distinctively Baths, managing to be both personal and kinetic as well as fantastical and otherworldly. He may not have switched up his style between albums, but now with this hat-trick of gems, there’s no need.
  4. Nov 20, 2017
    79
    Without abandoning the conundrums that made Obsidian so emotionally indelible, he’s embellished the worlds of his songs with color from the dreams in which he’s immersed himself over the years. The setting may not be real, but the sentiment rings true.
  5. 75
    This highly visual, lyrically-driven mode of storytelling might not appeal to Baths fans who appreciate the minimal vocals and delicate restraint of his earlier work. ... Romaplasm, however, is clearly an album made by an artist who has made the choice to create in a way that works for them, blending innovative electronica with the storytelling of a comic book artist to produce a truly innovative LP.
  6. Nov 20, 2017
    70
    With a sotto voce that at times leans too hard on the adenoids, Will knows better than to preen his voice for Top 40 radio. His home is with the glitch crowd. But pop star or no, Wiesenfeld, as Baths, taps into those universal feelings that makes pop music so accessible and so, well, popular.
  7. Q Magazine
    Nov 22, 2017
    60
    The manic arrangements sometimes overwhelm, but there are worse places to drown than Baths' ball-pit of an imagination. [Jan 2018, p.106]
  8. Nov 20, 2017
    60
    A few tracks do freak out here and there ("Adam Copies" being one of them), but mostly the music seems to be made to serve the song and the voice. And that's where the biggest change seems to lie. Wiesenfeld is writing songs as a vehicle for his message, as opposed to the songs being the message. This is where fans will be split. Either you'll like the new Baths, or you'll see it as a little boring or schmaltzy.

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