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On the harder-rocking half, Duritz is nearly emo-esque in his self-loathing.... The disk's Sunday Morning half, is more acoustic, quieter, reflective. But after the epic bender that precedes it, it's also just kind of a drag. [Apr 2008, p.78]
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The hair-shirt single "You Can't Count on Me" and the cheerily grim "Hanging Tree" are little masterpieces of pop craft, their arrangements and Duritz's invitingly petulant wail often echoing golden-era R.E.M. Sometimes that craft is enough: The latter song is so packed with guitar fireworks that its buzz-killing lines about freezing to death barely register.
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Considered as a whole, or even as two self-serving parts, Saturday Nights And Sunday Mornings is so generic and unenlightening that you will probably not remember hearing it within an hour or so.
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Listened to--as the band recommend--in one sitting, it is trudging and effortful.
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The electric guitar interludes sound obligatory, particularly when paired with lyrics that don't approach immediate or visceral
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It’s an album of extremes, often capturing the far fringes of the band’s sound, with little in between to act as a buffer.
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UncutThere are moments--notably 'You Can't Count On me'--but the band behind him are wringing diminishing returns from their polished country-rock. [May 2008, p.92]
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It's only fair to consider Saturday Nights, Sunday Mornings in the context of the rest of the Crows’ catalog, and with that in mind--to borrow a phrase from Duritz--this one might fade into the grey.
User score distribution:
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Positive: 26 out of 34
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Mixed: 4 out of 34
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Negative: 4 out of 34
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Oct 5, 2010
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RichRaineyApr 11, 2008
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TomH.Apr 10, 2008Rates behind first two albums, but ahead of last two.