Shook

Some might feel that at 55 minutes and 17 tracks and with so much going on, Shook is perhaps a little long. Yet to these ears it never feels bloated and it’s hard to see what might be pruned without losing some of the record’s impact.

On Shook, Franklin James Fisher, Lee Tesche, Ryan Mahan and Matt Tong sound refreshed, energized by collaboration and completely confident in their identity.

Usually, it’s easier to fit the pieces together if you’re familiar with the political references, or if you’ve already been living under colonialism’s yolk. But Shook feels more urgent, more arresting, with performances that draw you into their world.

Algiers don’t feel ahead of the curve, they feel like they are racing on a different track. When combined with their expansive range of collaborators, that willingness to go their own way makes for a powerful new addition to their catalogue with Shook.

Too often the album feels like a case of enacting genres rather than letting their influence seep in. It leaves the record feeling like a grab bag of ideas, some of which have been polished to brilliance, others of which haven’t been fully realised. There’s clearly a great album in there, just one that never quite gets the momentum to show itself.