Metascore
80

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
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  1. The Wire
    Sep 1, 2017
    80
    Silhouettes & Statues--83 songs across five CDs--is a useful opportunity to take stock of goth’s actual achievements. It charts the genre’s emergence from post-punk, emphasises points of overlap with anarcho, industrial and even synthpop, and ends in 1986 before the arrival of Nine Inch Nails, Marilyn Manson and hordes of neo-celtic, pagan folk and cyber goth sub-groupings. [Sep 2017, p.69]
  2. 80
    Clearly five CDs is way too much musical despondency to take in on one sitting, but this compilation does comprehensively show that for a genre known for an insular outlook, there was a surprising amount of scope musically from the bands involved.
  3. Magnet
    Jul 18, 2017
    80
    The perfect companion piece for black-lit nights at home. [No. 144, p.61]
  4. Uncut
    Jul 7, 2017
    80
    There is surprising range here. [Aug 2017, p.52]
  5. 80
    Certainly no nostalgic fad celebration, this epic collection is more like a stellar overview of the last century’s more vibrant and often overlooked darker-hued rock, cast among a hell-spawned panoply of lesser-known pranksters.
  6. Jul 7, 2017
    80
    Another minor issue is the non-appearance of key outfits The Danse Society, Sex Gang Children and X-Mal Deutschland, though the welcome inclusion of hard-to-source rarities from underrated, short-lived acts Rema Rema, Modern Eon and Dublin experimentalists The Threat ensures that Silhouettes And Statues ultimately makes for a surprisingly joyous celebration of all things dark and deathly.
  7. Aug 22, 2017
    70
    Not everything is suddenly revelatory in a positive sense--indeed, often the selections confirm exactly what you might expect, and sometimes songs start to blend into one another, which is inevitable over the course of such an extensive set.
  8. 60
    Oddly, there’s nothing here from Echo & The Bunnymen, despite the inclusion of borderline cases like The Damned, The Mission and Adam And The Ants, and a host of lesser bands creating the musical equivalent of smeared mascara. But there’s a broad range of tangential directions sheltering under the otherwise welcoming umbrella of Silhouettes & Statues.

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