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The WireNov 8, 2016This is a synth album of considerable finesse, a soundtrack to imaginary films. [Nov 2016, p.67]
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Oct 27, 2016In Kuedo’s hands, they’ve landed in nebulous terrain, drifting between possibilities of rhythm and bass, atmosphere and drone, noise and melody. It’s a beautifully complex tapestry.
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Oct 27, 2016Kuedo adroitly balances feelings of dread and comforting warmth over the course of the album to leave a mesmeric piece of work.
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Oct 27, 2016Slow Knife's best moments might even trump Severant. But Teasdale's efforts to escape the shadow of his debut sometimes lead him astray.
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Oct 27, 2016You can't help but feel that the teasing at euphoria on Slow Knife would be a little less frustrating if the thing were allowed to crescendo further, and for some of that drumwork to be incorporated accordingly.