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Aug 25, 2020On Source, she weaves together so many threads so masterfully that she instantly establishes herself as a foundational voice in the larger, ongoing story of the London jazz scene. Her debut is a stunning introduction.
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Record CollectorJun 18, 2021Overall, Source is a thing of wondrous beauty, revealing that the hyperbole accompanying Garcia patently isn't out of proportion to her talent. [Sep 2020, p.101]
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Aug 21, 2020Garcia allows these songs to ebb and flow without a clear end point in mind, allowing the interplay between her band-members to become this album’s primary draw. She has proven herself to be just as formidable a composer as she is a performer.
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Aug 20, 2020Source, with its adventurous, kinetic, and sophisticated approach in wedding modern composition, improvisation, and production to rhythmic and harmonic traditions, is one of the very best.
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Aug 20, 2020‘Source’ is a reflection of Nubya Garcia’s hometown; a mirror spotlighting London’s skilled musicians and a reminder of how thrilling this scene can be. The project’s urgency is baked in calming undertones, forcing listeners to be meditative and to connect, and a sense of rejuvenation, providing a call towards a larger sense of community.
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Aug 18, 2020Deeply melodic, brilliantly played, and blessed with a spirit that feels generous and boundless. [Oct 2020, p.26]
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MojoAug 18, 2020While her own solos have a fluent grandeur, Garcia remains as generous a leader as she was a collaborator. [Sep 2020, p.89]
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Q MagazineAug 18, 2020Elevated throughout by Garcia's immaculate phrasing, this is music that fuses he tradition and modern with real purpose. [Sep 2020, p.110]
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Aug 18, 2020Chockful of jazz that embraces you in a familiar feeling, Source is akin to an old friend you may not see for a while, but whenever you do, the world feels that little bit brighter and it’s as if no time has passed at all.
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The WireNov 6, 2020Where the jazz content is foregrounded however, the music is less convincing. ... Garcia’s tone bears more than a passing resemblance to Kamasi Washington’s, with a similar paucity of harmonic complexity and grandstanding solos conveying an earnest seriousness that mistakes widescreen emoting for genuine emotional content. [Sep 2020, p.52]
User score distribution:
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Positive: 8 out of 9
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Mixed: 0 out of 9
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Negative: 1 out of 9
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Aug 31, 2020
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Feb 9, 2021
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Aug 27, 2020Too bad, like, really bad, one of the worst I've heard. I expected much more.