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Feb 9, 2021They have earned, through the force of their creativity and sweat, access to new places and social spaces. But even as some of their songs explore what’s newly possible in those spaces, the Mods remain deeply interested in the places from which they came.
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Jan 21, 2021Spare Ribs is perhaps the band's high watermark, a searing masterpiece of social commentary, childhood memories and recovered trauma, scathing wit, punk energy, funk, and hip-hop influences, and much more. This is a record with no fat and no filler.
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Jan 19, 2021Andrew Fearn’s deathlessly inventive compositions stare you down, defying you to find them simplistic – the title track’s turbo-charged electro, and the pointillist electronics of Top Room, are just two cases in point.
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Jan 15, 2021Stripped back tracks, smart beats, punchy bass, and Williamson’s dextrous barked delivery are all in place, and it seems that the band are in their dis/comfort zone.
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Jan 15, 2021Because it doesn’t cohere quite as much as their previous output, Spare Ribs wouldn’t necessarily be the album you point to in order to make that case, but it’s not short on charm or growth, so it doesn’t detract from the argument, either.
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Jan 15, 2021Spare Ribs certainly reflects the personal and political overload of 2021, but half an hour in you’d be forgiven for scanning the horizon for your stop.
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Jan 15, 2021Even at the album's bleakest, Sleaford Mods never sound completely beaten down. Not even a global pandemic and repeated lockdowns can crush their spirit, and Spare Ribs feels like a hearty, timely, and well-deserved two fingers up to the powers that be.
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Jan 14, 2021Not one for anyone who’s not already won over by the pair’s particular charms.
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Jan 13, 2021Sweary, punky and bilious, Spare Ribs is unlikely to win over new converts but it is as good as anything in Sleaford Mods extensive oeuvre.
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Jan 12, 2021Here’s your prescribed dose of reality with an unmistakable and intoxicating Sleaford Mods flavour. The extraordinary ‘Spare Ribs’ is graffiti on a concrete wall; there’s no manifesto, no easy answers and nowhere to hide.
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Jan 12, 2021The first half of Spare Ribs is actually quite slowed down and weird, which isn't necessarily a bad thing, but it doesn't complement Williamson's vocals as well. ... The title track and "Thick Ear" absolutely steal the show. Sleaford Mods have shown they can do it slow, but they're still much better when they floor it.
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MojoJan 11, 2021After the past 12 months, you might feel you want and need more escapism than Spare Ribs really offers. Yet if everyone's been made to gaze into the abyss this year, it's a relief, a comfort--maybe even a pleasure--to find Sleaford Mods in there, gazing right back at you. [Feb 2021, p.80]
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UncutJan 11, 2021The Sleaford Mods we hear on Spare Ribs sound more comfortable in their own skin, relaxed enough to explore their eccentricities. A tart, sometimes topical edge remains. [Feb 2021, p.35]
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Jan 11, 2021A raw snapshot perfectly designed to capture the ugliest sides of Britain, it’s obvious that the duo is happy to knock at our doors once again. There’s an ongoing need for this portrayal of relevant topics, and their sharpness and humour are as strong as ever.
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Jan 11, 2021Written partly during lockdown, the record features some of the least-annoying songs about the pandemic recorded since the initial outbreak in 2019. And that’s heavy praise, considering some of the truly treacle-shellacked tracks that oozed into the zeitgeist last year.
Awards & Rankings
User score distribution:
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Positive: 11 out of 18
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Mixed: 5 out of 18
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Negative: 2 out of 18
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Jan 16, 2021
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May 28, 2022Boring, irrelevant and meh! I’m sure they are going to use drama over talent to promote their music in the future,