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If the hardcore fanbase feel a blanch coming on, this isn't all wilful eclecticism gone mad. King's work is The Fall's unifying factor that keeps it cohesive.
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MojoThe wrong kind of sonic adventure undermines about half the songs. A drop of Waitsian, drunken, junkyard percussion might have been just the ticket, but the plethora of drony guitar and keyboard distortions proves distracting, rather than "atmospheric", and impairs the effect of some strong songs including Back To Manhattan and Stuck. [Dec 2009, p. 88]
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Jones's cashmere voice sounds more polite than ever, creating an overriding impression of a nice girl keeping dirty company.
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Following "Not Too Late," a more nakedly ambitious effort, and her terrific side project with the Little Willies, it's disappointing that The Fall aims for growth but feels so reigned in and restrained.
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Not Too Late was produced in a home studio and introduced a rawness into her sound that hadn’t been present before, and while it possessed its share of sleepy moments, it still topped the polished and scrubbed tunes that were omnipresent seven years ago when she first captured million of listeners across the world.
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Under The RadarIt's intelligent, tasteful, and well-executed music. But it ain't rock 'n' roll, not even a little and damn Jones for trying to pretend that it is. [Holiday 2009, p.78]
User score distribution:
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Positive: 32 out of 38
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Mixed: 5 out of 38
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Negative: 1 out of 38
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Nov 21, 2021A very different approach to Norah Jones going from blues to rock some songs are good and have a rnb feel others are bland.
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Nov 9, 2012
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JasonSNov 19, 2009This Cd is not what I hoped it would be change can be good but not in this case.