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Mar 29, 2022Unapologetic bangers with tongue firmly cheek and a furious, feminist bent, ‘Tilt’ is the album you need in your life.
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Apr 4, 2022In their second album Confidence Man provide us with the feel good music we desperately need right now, taking the weight from our shoulders and offering more than a semblance of hope in difficult times.
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Mar 30, 2022The cathartic release is absolutely joyous on this stylish party album, a heaping dose of maximalist escapism from a quartet that just wants you to dance your cares away.
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Mar 30, 2022‘TILT’ is a record that proves that campness and ridiculousness doesn’t have to come at the expense of real depth.
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MojoMar 29, 2022With enough disco detonators aboard for three Top 5 albums, here's the feel-good hit album of 2022. [May 2022, p.95]
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Mar 29, 2022TILT is definitely missing the cool, camp interjections of Sugar Bones that were more prominent on their debut. Still, Conman has delivered yet another non-stop album that is guaranteed to raise the bar of your next party.
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Apr 12, 2022At its heart, TILT is an intentionally joyous, escapist experience and even with the band’s proclivity for OTT campiness, they also prove that fun doesn’t have to be dumb. As Confidence Man might put it, if this doesn’t get you on the dancefloor, then “move aside and let others enjoy the ride.”
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Apr 19, 2022Tilt is the music they are dragging you onto the dancefloor for, and with most of these songs playing over the speakers, you’ll happily join them.
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Apr 20, 2022Rather than attempt to write jokey lyrics, as they did on Confident Music, Stephenson and Moore are more content just to vibe out, with far more engaging results.
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Mar 31, 2022It’s a shame that TILT has a few lesser productions because they detract from the bubbly, effervescent thrill that fans have come to expect from Confidence Man. TILT is still a ridiculously fun record with a distinct identity, proving that the group can still get listeners to euphoric carefree highs through different means.
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UncutMar 29, 2022The piano house pop of “Woman” and synth-fuelled trance of “Holiday” could have been released in 1992, but they’re no less likeable for it. They’re shot through with CM’s trademark wry cool, as is “What I Like”, wherein Sugar Bones’ laconic vocal makes a dancefloor anthem sound somehow like The Dandy Warhols gone disco. [May 2022, p.25]
User score distribution:
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Positive: 6 out of 7
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Mixed: 0 out of 7
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Negative: 1 out of 7
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May 3, 2022Silly and indulgent but who cares, it freaking bops. Best dance album of 2022 to date