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Nov 17, 2021There are nods throughout to progressive soul superstars like Isaac Hayes, and the slide guitar outro on ‘Never Know’ suggests George is in fact Sam’s favourite Beatle – though the album always strikes the right balance between vintage and cutting edge, never unduly nostalgic or pastiche-y, with sax breaks, searing synth solos and simulated Stax horns that never feel indulgent or showy.
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Nov 18, 2021At its best, Time to Melt is a promising collection of seductive post-indie grooves. At its worst, it’s a goldmine of vlog-ready background music to soundtrack a West London influencer’s Bali sojourn. Either way, this is but a checkpoint in Sam Evian’s career, a coalescence of several years’ experimentation that he will undoubtedly proceed far from with his next release.
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Nov 17, 2021Evian has succeeded in creating a layered album that reveals more and more on repeated listens both instrumentally and lyrically.
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Nov 17, 2021Funky bass and Fender Rhodes are among the featured instruments on songs that feel jammier than his first two albums, though the mood remains mellow and languid, at least for the most part.
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MojoNov 17, 2021Out There, but inclusive too. [Jan 2022, p.89]
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UncutNov 17, 2021The LP's sonic cocoon bursts apart with the horn blasts and slashing guitar of the Lennon-like rocker "Easy To Love," rescuing the record from suffocating in whimsy. [Jan 2022, p.22]