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- Summary: The third full-length release for the Los Angeles-based singer-songwriter was produced by Thomas Bartlett.
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- Record Label: Asthmatic Kitty
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 9 out of 10
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Mixed: 1 out of 10
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Negative: 0 out of 10
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Feb 12, 2019This is a remarkable, quietly powerful, and astoundingly beautiful album from an artist who now deserves to take his place among his influences.
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Jan 14, 2019An unexpectedly celebratory affair.
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Jan 10, 2019Tomb is a record of heartbreak that never wallows, a reflection on loss that does not allow itself to become stuck in the past, and resolutely optimistic at its core. What we find here, on what is arguably the pinnacle of his output to date, is De Augustine achieving the beautiful balance between introspection and grandeur; straddling the place where pain and hope intersect.
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Q MagazineFeb 4, 2019Dreamy and heartaching, its appearance is actually deceptive. ... A gorgeous record. [Mar 2019, p.115]
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Jan 14, 2019Tomb benefits from having a slightly cleaner sound and the results are remarkable. Tapping into the potential his past albums only hinted at, It's polished just enough that the songs boast a greater clarity but without losing any of the homespun intimacy of his previous recordings.
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Jan 23, 2019Despite the album’s dark, damp, sepulchral title, light manifests numerous times on Tomb. In the dizzying chime of his careful fingerpicking and high-pitched howls, De Augustine captures love’s bright blaze.
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MojoJan 10, 2019More blood on the tracks might have upped the ante, but as it stands Tomb is still a gorgeous wallow, with producer Doveman's minimalist touches left to indicate cracks in the facade. [Feb 2019, p.84]
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