Metascore
78

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
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  1. 80
    Menace and rapture are beautifully balanced in Cross’s minimalist alt rock.
  2. Jan 29, 2016
    80
    It’s difficult to imagine the results being this good if Cross had limited studio time, or if she tried to record vocal takes with strangers listening in.
  3. Mojo
    Jan 28, 2016
    80
    Wabi-Sabi is as becalmed and warm as it's wracked and haunted. [Feb 2016, p.94]
  4. Jan 28, 2016
    80
    This is a remarkable album, lovely but harrowing, meditative but visceral.
  5. Jan 28, 2016
    80
    Both vivid and dreamlike, each narrative swims in and out of focus without ever being forced; the type of record to return to, again and again.
  6. Feb 5, 2016
    78
    Throughout Wabi-Sabi, Cross Record thread their way between graceful and sinister, unfiltered beauty with heavier and uglier sounds, and tap into a dark well of energy that has potential to grow more powerful the further they explore it.
  7. Jan 29, 2016
    76
    It’s sparse and lush all at once, and each listen reveals a different star in the night sky. There’s still room for them to move forward, but it’s a debut which ensures the listener there’s no way that won’t happen.
  8. Uncut
    Jan 28, 2016
    70
    A strikingly confident record. [Feb 2016, p.74]
  9. Jan 28, 2016
    70
    Wabi Sabi definitely feels like an album that could only have been conceived in an arid desert rather than a bustling city, and the remoteness of the couple's surroundings has certainly made them pay more attention to details and take notice of small, unique things such as the scorpions that adorn the album's cover.
User Score
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No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 1 out of 2
  2. Negative: 0 out of 2
  1. Feb 5, 2016
    6
    I began listening to this record. I was struck very quickly by the dense production, the dream-pop vocals, the distorted, jangly guitars, theI began listening to this record. I was struck very quickly by the dense production, the dream-pop vocals, the distorted, jangly guitars, the creative use of a lo-fi sound. Then Wabi-Sabi passed its halfway mark. Tracks 5-9 are still good songs, don't get me wrong, but it feels Cross Record placed all of their best, most memorable tracks on the front side of the album. Each track on the back half is slow and contemplative, lacking in the bright instrumentation that made songs like Two Rings and High Rise stunning. Cross Record does the moody acoustic sound well, but not well enough to keep my attention fully. I would like these songs better if they simply switched the track listing to sustain a good mix of upbeat and downtrodden tracks throughout. Though Wabi-Sabi begins with a bang and contains a fair few of my favorite tracks of the year so far, it loses steam quickly in its back half.

    66/100
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