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May 4, 2018Nash calls herself and this approach contradictory, and maybe that's the best way to describe this album, but that carries a semblance of dismissing the issues she sings through and the realities she and her fans, listeners, and others experience all too often.
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Q MagazineApr 10, 2018Admittedly, the mostly spoken Musical Theatre is indulgent twaddle and she often squawks where others sing, but there's Hole-like grit to both Life In Oink and the raised middle finger of Hate You, where cascading choruses butt against stroppy verses. [Jun 2018, p.113]
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Apr 4, 2018Yesterday Was Forever was a record paid for by fans, and made for the fans.
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Apr 3, 2018The music has some commercial cross-over potential that most people can't help but like, with various electric guitars and electronic keyboards arranged into pleasing and polished pop-rock. But these pleasant tunes don't have enough sharp dynamics to give them an edge and so end up as mostly fluff without so much substance.
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Mar 30, 2018Musicians often try to recapture the slippery magic of their initial successes--but few attempt it as explicitly as Nash does here. By doing so, she’s proven the vitality and raggedy charm of her early work is long gone.
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Mar 29, 2018Her winning formula back in 2010 was blunt honesty delivered in the form of spoken-word style poetry. Back then, she doled out witty, tongue-in-cheek observations and wry take-downs with ease. Attempts to recapture this style are marred by lazy rhymes and a delivery that’s often more just her speaking over the track.