Beats Per Minute's Scores
- Music
For 1,713 reviews, this publication has graded:
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57% higher than the average critic
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4% same as the average critic
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39% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Music review score: 75
Highest review score: | Achtung Baby [Super Deluxe] | |
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Lowest review score: | If Not Now, When? |
Score distribution:
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Positive: 1,564 out of 1713
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Mixed: 131 out of 1713
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Negative: 18 out of 1713
1713
music
reviews
- By Date
- By Critic Score
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- Critic Score
Beatopia lacks the edge and drive of its predecessor, yet several inspired moments are enough to maintain Kristi’s reputation as one of the nation’s most exciting young artists.- Beats Per Minute
- Posted Jul 18, 2022
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Both fun and grounded, the charm of Nayeon is irresistible and whether you enjoy K-Pop or not, this is worth checking out if you are a poptimist in general.- Beats Per Minute
- Posted Jul 15, 2022
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- Beats Per Minute
- Posted Jul 14, 2022
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- Critic Score
This is a mini-album that does exactly what it’s meant to, in exactly the time that it takes to do so.- Beats Per Minute
- Posted Jul 13, 2022
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- Critic Score
As a whole, Arkhon is a distinct statement. Even Danilova’s uneven work manages to be intriguing.- Beats Per Minute
- Posted Jun 29, 2022
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Her eighth studio album may be her most ambitious yet, but that added weight can lead some songs to run too long or feel overstuffed. She may still be trying to find the right balance between her larger soundscape and storytelling, but Home, before and after is an exciting evolution that feels both old and new.- Beats Per Minute
- Posted Jun 28, 2022
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It’s music to laugh about our former selves at, just as much as it’s perfect to get drunk and eat ice cream to – and in that, it could define a whole new generation. But for now, it will totally define this summer.- Beats Per Minute
- Posted Jun 27, 2022
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MUNA is the best soundtrack one can find for the next few months. Seemingly destined to join the canon of pop’s great cult-classics (Carly Rae Jepsen’s Emotion, Robyn’s Body Talk, among them), it’s an album whose legacy should last much longer.- Beats Per Minute
- Posted Jun 24, 2022
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Some of it drags (looking at you, “You’ve Won This War”), and the lyrics, melodies, and sounds don’t always land. At times you can practically feel him straining for it all to Mean Something, but Butler remains a powerful and important voice in music, even when a particular album doesn’t fully succeed.- Beats Per Minute
- Posted Jun 22, 2022
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It manages to take inspiration from a grab bag of styles and still create an unified, singular end-product. Earnest and unburdened, Time Bend is a staggeringly bold statement for a debut album. It would, indeed, seem as though we have not seen anything yet.- Beats Per Minute
- Posted Jun 21, 2022
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- Critic Score
It’s a decent follow-up, but one that unfortunately comes off less Bartees Strange and more Bartees Safe.- Beats Per Minute
- Posted Jun 20, 2022
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- Critic Score
This is undoubtedly going to be a divisive one for long-term fans, with some holding it up as just as vital as anything else, while others will simply overlook it or just take a couple of highlights to add to their ‘Best of PG’ playlists. Whichever the case, whether you devour it or dismiss it, there’s no denying that it expands the mythos and majesty of Perfume Genius.- Beats Per Minute
- Posted Jun 17, 2022
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- Critic Score
Like a lot of Andrew Bird albums of late, Inside Problems needs some time to reveal itself. Its frustrations and lidless graspings at the world are part of the game here, so that it doesn’t nestle quickly into a box on first listen feels appropriate.- Beats Per Minute
- Posted Jun 15, 2022
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Not since Everything’s Fine has Quelle Chris sounded so surefire and determined. He wears beats with flair now, and lyrically he’s in top form, moving like a chameleon behind the mic and in front. Deathfame is easily the best solo outing for Chris so far.- Beats Per Minute
- Posted Jun 14, 2022
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- Critic Score
Balancing stately pop ornamentation with more bombastically orchestrated moments, the album allows Meiburg to both indulge and scale back his dramaturgical impulses.- Beats Per Minute
- Posted Jun 14, 2022
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- Critic Score
It is arguably his most sonically interesting and personal project so far, but its inconsistency punches a few pot-holes in the listening journey. The experimentation here doesn’t always work, but when it does, it shows that Post is heading in some exciting directions for future albums.- Beats Per Minute
- Posted Jun 10, 2022
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While her last proper album, 2019’s orchestrally-imbued All Mirrors, was something of a coming out party for her grand artistic ambition and scope, Big Time is the coming out party for her true personality. In order to do this, she’s stripped away the grandiosity and reverted back to the country and Americana sounds that she calls home.- Beats Per Minute
- Posted Jun 9, 2022
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- Critic Score
Overall, the album occurs as less incendiary than previous work (with the exception of the opening track), DBT at least temporarily setting aside their polemical blowtorches, instead mindfully venturing into vivid inventories of their own lives, choices, and karmic trajectories.- Beats Per Minute
- Posted Jun 7, 2022
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Each track on Nothing To Declare feels like a condensed, expertly-aimed Hadoken of fun, furious energy.- Beats Per Minute
- Posted Jun 6, 2022
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It’s fun, it’s furious, and just about anyone should be able to appreciate that.- Beats Per Minute
- Posted Jun 3, 2022
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They’ve delivered a certain-to-be-beloved debut – one that separates itself from its peers.- Beats Per Minute
- Posted Jun 3, 2022
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The wicked atmosphere that they’ve crafted across Heart Under is worthy of celebration alone.- Beats Per Minute
- Posted May 31, 2022
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- Critic Score
At heart, it’s all too modest, too fatigued, too lacking in ambition and attitude.- Beats Per Minute
- Posted May 31, 2022
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- Critic Score
Post-punk bands tend to veer dark and brooding, but Dehd avoid that here, putting all of their energy into sunny anthems filled with dizzying coos, lighthearted hooks and charming rhythms. It all helps them bounce across the record and into our hearts for good.- Beats Per Minute
- Posted May 26, 2022
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These are pretty songs, but largely forgettable when amassed together, and though EYEYE is an honorable attempt at switching lanes yet again after a divisive fourth album, it mostly comes up short as a finished product.- Beats Per Minute
- Posted May 25, 2022
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- Critic Score
Rentals is uniformly great, and each track boasts its share of both gorgeous instrumentation and lines that are alternately poetic and prosaic.- Beats Per Minute
- Posted May 24, 2022
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- Critic Score
It’s all put together under one roof in a neat, unassuming way, made refreshing and palatable by his persona.- Beats Per Minute
- Posted May 23, 2022
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- Critic Score
It preserves the trio’s history while serving us a matured Moderat. MORE D4TA is their cathartic work of loneliness and intoxication, indulging in a museum of sounds.- Beats Per Minute
- Posted May 20, 2022
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They’ve made the brave decision to remember what it’s like to feel and to breathe again, and it can all be heard in the stirring vibrations of Margolin’s words and voice.- Beats Per Minute
- Posted May 20, 2022
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- Critic Score
With more questions raised than answered, Cain’s unusually ambitious and fully-realised debut somehow leaves listeners craving more in spite of its wonderful, exhausting, 75 minute runtime.- Beats Per Minute
- Posted May 19, 2022
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