Spin's Scores
- Music
For 4,253 reviews, this publication has graded:
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50% higher than the average critic
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3% same as the average critic
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47% lower than the average critic
On average, this publication grades 2.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | To Pimp A Butterfly | |
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Lowest review score: | They Were Wrong, So We Drowned |
Score distribution:
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Positive: 3,051 out of 4253
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Mixed: 1,147 out of 4253
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Negative: 55 out of 4253
4253
music
reviews
- By Date
- By Critic Score
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- Critic Score
Even when the concept stumbles, parts of Vide Noir are pretty enjoyable listening anyway, like the flecks of psychedelic guitar across the title track and the filigree detail and sensual current of “Moonbeam.”- Spin
- Posted Apr 25, 2018
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- Spin
- Posted Apr 24, 2018
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- Critic Score
Sparrow transcends its own tastefulness, and odds are excellent you’ll find it gorgeous.- Spin
- Posted Apr 24, 2018
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It’s a commendable effort, with Cole putting himself in a creative territory to respond to critics, peers and progeny. His messages are timely despite the fact that they continue, rather than conclude, a larger conversation.- Spin
- Posted Apr 23, 2018
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- Posted Apr 18, 2018
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- Critic Score
Invasion of Privacy is a cohesive piece of work that demands to be heard in full, from front to back, side to side, on the pole and on the stove.- Spin
- Posted Apr 17, 2018
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“Outer Acid” remains uncanny in its mix of blissful keys and menacing acid squiggles and “Spy” diffuses some dubby harmonica into Heard’s atmospheres. “Inner Acid” returns to the squelchy acid house Heard made back in the ‘80s and the knocking beat and bells of “Nodyahed” suggest that he can still make a dancefloor quake.- Spin
- Posted Apr 16, 2018
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By balancing on the tightrope between meme and icon, between relatable and aspirational, Ephorize emerges sounding remarkably human.- Spin
- Posted Apr 11, 2018
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The richness of the music occasions her best vocal performances to date. The arrangements are airy with distance and light, but their architecture is boldly drawn: the basslines thick and taut, the arpeggios whirring and spangled, the guitars unfurling in a glossy neon cursive.- Spin
- Posted Apr 11, 2018
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Freer of their influences, Hop Along have produced a stunning batch of songs--each of them like a small world of its own, continuously unfolding.- Spin
- Posted Apr 6, 2018
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Here’s hoping The Tree Of Forgiveness is not either an incidental or deliberate farewell. If it must be, at least it’s both a suitably goofy celebration of his career and a dignified capstone.- Spin
- Posted Apr 5, 2018
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Kinetic and thrilling as the uptempo blasts are, where Your Queen shines is on the slower pieces, revealing that Hutchings can purr, murmur and wax lyrical as well.- Spin
- Posted Apr 2, 2018
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Where she once had a compelling songwriting portfolio, here she has a compelling mood. That mood’s best described as “content.” ... It’s not a belting voice, but it’s a remarkable instrument, capable of imbuing with winsome empathy songs.- Spin
- Posted Mar 30, 2018
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McMahon’s most transcendent statement yet. ... Freedom rings as both immediate and timeless, intensely personal and easily understood. ... Freedom exalts in subtlety. It offers powerfully economical songwriting.- Spin
- Posted Mar 29, 2018
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These are well-loved songs that Ndegeocello loves a little bit more, singing them with a rich, warm tone (she’s never sounded better) and backed by a band who know how to anticipate every bob and weave she might make. It’s one of her best.- Spin
- Posted Mar 22, 2018
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- Spin
- Posted Mar 20, 2018
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The Breeders’ there/not there qualities are such that unacquainted listeners will imagine what the band sounds like and they’d be right. Expedient and necessary, All Nerve is what we need now, next week, in 2023.- Spin
- Posted Mar 20, 2018
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Though firmly planted on the dancefloor, Record is for sunshine and joy the way 2008 masterpiece Out of the Woods was for moody rain and 2010 chamber-pop charmer Love and Its Opposite for snug wood paneling. But for all its color and vim, it’s also a brave, grave survey--emotionally if not always factually autobiographical--of Thorn’s relationship to London, her family, and her own heart.- Spin
- Posted Mar 19, 2018
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Less deadpan and more florid than its predecessor, Now Only is heartrending in new, different ways. Sonically, the record doesn’t stray far from Mount Eerie’s elemental standard operating procedures, where meandering, nylon-strung acoustic strum or heavy metal thunder underlie Elverum’s streams of consciousness.- Spin
- Posted Mar 19, 2018
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There’s something more filigreed at work: a thoughtfulness about the band’s mannered chaos as though they’ve come out on the far end of some mass realization.- Spin
- Posted Mar 19, 2018
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It’s Georgia Maq’s raw-edged vocals you’ll remember, and the consistency of the musical canvas opens space for her to work. Her lyrics articulate human entanglements with a lack of sentimentality that belies how much she cares, and like Hop Along’s Frances Quinlan, she has a gift for evoking shame hand-in-hand with fury.- Spin
- Posted Mar 19, 2018
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In dealing with the inevitable change that loss engenders, Ed Schrader’s Music Beat and Dan Deacon have crafted a memorable and eclectic record.- Spin
- Posted Mar 9, 2018
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Utopia contains several solid entries into Byrne’s pop songwriting canon, but few revelations. Whimsical and surprisingly optimistic, it finds him following several different impulses at once.- Spin
- Posted Mar 8, 2018
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Though Will Yip has already spawned a modern alt-rock empire from the modest Philly suburb of Conshohocken, Time & Space is the album that’s been waiting for him all his life.- Spin
- Posted Mar 1, 2018
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At times, that there’s as much “subversive” pop music as there is music that is supposedly being subverted, not all of it as deep as advertised. Poem, thankfully, is far more thoughtful about it than most.- Spin
- Posted Feb 28, 2018
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For all the deft, varied professionalism on display here, Lamar’s omnipresence on Black Panther: The Album might be its most compelling feature.- Spin
- Posted Feb 20, 2018
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Despite the resourcefulness of Kronos’ contributions, though, Anderson is Landfall’s most crucial actor and its saving grace; the humility, naturalism, and humor of her recitations justify the scale of the project.- Spin
- Posted Feb 15, 2018
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The way What a Time to Be Alive zooms by, there are songs you might blink and miss if McCaughan weren’t writing some of the most sharply worded lyrics of his career.- Spin
- Posted Feb 15, 2018
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Despite such surface gloss, it’s clear Franz Ferdinand are still finding their creative footing without McCarthy. The taut arrangements present on previous albums can occasionally give way to moody repetition (“The Academy Award”) or sluggish tempos (“Slow Don’t Kill Me Slow”), robbing the record of immediacy. This is a small quibble, however.- Spin
- Posted Feb 15, 2018
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- Critic Score
Greenwood’s previous PTA scores provided feral atmosphere first and foremost, or in Inherent Vice’s case, a convex take on classic Hollywood film noir incidental music. Phantom Thread’s score, on the other hand, feels like another main character or storytelling voice in the film. Greenwood’s abilities have never served one of Anderson’s films better, or proved so integral to its power.- Spin
- Posted Feb 5, 2018
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Besides restoring the muscle lacking on the emaciated An Object, the opening trio on Snares presents No Age as everything they’ve been (gritty, propulsive, atmospheric, a motorcycle taking on a sandstorm head-on) and the immediately accessible rawk band they’ve never been.- Spin
- Posted Jan 26, 2018
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The new album’s particular saving grace is its self-loathing streak, the sense that scales have fallen from eyes and that Stay Gold’s nebulous disaffection has soured to regret.- Spin
- Posted Jan 22, 2018
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You’ll discover plenty of laconic beauty wherever you drop into The House, and it glimmers with the songful club music that made its predecessor great for getting ready to go out. But a profusion of digital-pastoral vocal settings makes it unlikely to displace Pool from constant shuffle rotation.- Spin
- Posted Jan 16, 2018
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In lesser hands, all this weight could feel leaden. But Miguel remains a craftsman, and leisure gets its due.- Spin
- Posted Jan 2, 2018
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Utopia is full-on music-theater unlike anything Björk has yet attempted, and the rare tenth album by such an established artist to genuinely surprise with unforced and meaningful reinvention.- Spin
- Posted Nov 29, 2017
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Rest’s intimacy contrasts Gainsbourg’s personal reticence, and softens a storytelling void that might doom a lesser stylist.- Spin
- Posted Nov 22, 2017
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Thanks to its polyrhythms and rich instrumental textures, The Animal Spirits is as likely to appeal to fans of experimental rock music (especially electro-tribal searchers like Animal Collective, Gang Gang Dance, Fuck Buttons, or Dan Deacon) as it is to those who regularly spend evenings at the club.- Spin
- Posted Nov 13, 2017
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Never has she sounded freer than she does here, a self-styled villain biting the forbidden fruit of gossip and letting its juices run down her neck.- Spin
- Posted Nov 10, 2017
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Plunge feel vibrant and more alive. There are crucial moments on the album where Dreijer slows things down a bit to let everything sink in. Even on the quieter moments, however, the mood of the album is deeply human.- Spin
- Posted Nov 2, 2017
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The final result is a balm to soothe well-trodden emotional frequencies.- Spin
- Posted Oct 27, 2017
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Each song is immaculately crafted and sequenced, yet with this many ballads, they blur: a play continually in its eleventh hour.- Spin
- Posted Oct 23, 2017
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ken, Bejar’s sparest album in terms of lyrical density and length in some time, is an aggressive, well-chiseled shift.- Spin
- Posted Oct 20, 2017
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Lotta Sea Lice is strange, occasionally awkward, and easy to love. Like a good buddy movie, it’s a little sentimental, and possessed of a deeper wisdom than its goofy premise initially lets on.- Spin
- Posted Oct 19, 2017
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Clark has carved out a space as a guitar hero in an era where that sort of thing is supposed to be over. That is impressive, even if the theatrics occasionally wear me out, and begin to feel like preludes for a visually dynamic live show. I’m much more attracted to MASSEDUCTION’s humbler moments, when you can better imagine the songs without the heavy arrangements.- Spin
- Posted Oct 18, 2017
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It’s largely a plainspoken, cohesive work, closer in spirit to single-minded efforts like Morning Phases, Modern Guilt, or even Sea Change. And really, that’s fine.- Spin
- Posted Oct 13, 2017
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HEAVN is musically spry and spiritually hefty at 41 minutes, the questioning half of a nationally fraught Q&A that’s long deserved the answers, none of whom are currently running for president.- Spin
- Posted Oct 12, 2017
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Like all of Four Tet’s work, New Energy can be viewed as an addition to this unlikely canon, whose practitioners share a desire to remove a listener from their surroundings and bring them someplace higher, no matter the means.- Spin
- Posted Oct 6, 2017
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Kelela proudly stands within the genre’s tradition. For the most part, she avoids making any grandstanding romantic or political statements, but Take Me Apart finds its purpose within the subdued complexities.- Spin
- Posted Oct 6, 2017
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Though energetic, their danceable chassis and sprawling melodies nevertheless feel weary, as if constantly grinding against some looming, countervailing force. It’s true that wearied, furtive anthems have always been Wolf Parade’s thing, but they feel especially right for these enervating times.- Spin
- Posted Oct 5, 2017
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While mediating the difference between bitterness and hooks was such a hallmark of past releases, it feels good to hear them find catharsis here, even if it’s in small doses.- Spin
- Posted Oct 3, 2017
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Wonderful Wonderful is the Killers’ strongest statement since 2005, a more than okay affirmation of their power to keep a global audience.- Spin
- Posted Oct 2, 2017
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The dreamy project leaves the snide social critiques and radicalisms to the wayside for 36 minutes that feel of its own realm, where the dichotomies and bodily desire feel self-contained. The intimacy is never lost within the set’s high concept: For an album centered on lonesomeness, Aromanticism feels warm.- Spin
- Posted Sep 29, 2017
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Three Futures is a slow burn, but Torres doesn’t require speed, not when she can hold our attention with something more akin to intense eye contact.- Spin
- Posted Sep 29, 2017
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Taken together, Cold Dark Place affirms the band’s pursuit of technically ambitious rock with high production value, while continuing to disrupt traditional notions of genre and song structure.- Spin
- Posted Sep 28, 2017
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These are passive recollections that come off as quietly rebellious, because he plainly acknowledges the value of the black voice, as well as the weight of its silence.- Spin
- Posted Sep 20, 2017
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Grohl and his pals never set out to write the gospel on modern rock--they only sought to preach it, hammering it into our heads by way of biting hooks and anthemic melodies. There’s more than enough red meat to go around on Concrete and Gold, the band’s ninth album.- Spin
- Posted Sep 19, 2017
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A decade-plus of refining this particular sound has led to the purposeful pop of Okovi, her sixth album. Danilova’s vocal performance momentarily recalls darker and more secretive Sia songs.- Spin
- Posted Sep 8, 2017
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The libretto and effects boards on Sleep Well Beast may signal doom, but the replenished energy in the music feels life-affirming. Somehow, the most despondent album they’ve ever made still sounds like a celebration.- Spin
- Posted Sep 8, 2017
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An album that’s fundamentally modest, even as it stretches to be both looser and more technically ambitious.- Spin
- Posted Sep 7, 2017
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You certainly won’t find a clunker among Hitchhiker’s more familiar cuts, though few of them surpass the official versions. ... Young’s talent is vast and his art contains plenty of contradictions. Hitchhiker stands as proof that no matter how strange his creations might sometimes seem, he always draws them from the same well.- Spin
- Posted Sep 7, 2017
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American Dream is good enough to dispel all of those concerns. The passing of their imperial phase has left them like any formerly Teflon hipster: honest, and ready to move on from whatever they found at the heart of the party. Admitting for real that they’d lost their edge is one of the most interesting things they could’ve done, and hopefully they keep making more records after this one.- Spin
- Posted Sep 1, 2017
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A Deeper Understanding feels like the ideal War on Drugs album--the one where the songs are the strongest and the instruments the most uniquely cathartic, and with a mist that gives it all an alluringly blinding sheen.- Spin
- Posted Aug 28, 2017
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A stunning, sprawling sucker-punch of a finale equally amenable to die-hards and newcomers, Science Fiction is a worthy (if bittersweet) send-off to one of the most brutally honest, forward-thinking rock bands of the new millennium.- Spin
- Posted Aug 25, 2017
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Though Villains is a perfectly solid, occasionally bloated QOTSA album, it’s the first to really feel like a missed opportunity.- Spin
- Posted Aug 25, 2017
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Throughout the record, words are just pathways through which the melody travels from one sweep to the next, but nothing really comes into focus except an almost free-floating regret and confusion.- Spin
- Posted Aug 18, 2017
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Rainbow is a document of Kesha coming into her own, blossoming into the artist she’s always truly wanted to become.- Spin
- Posted Aug 14, 2017
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Cost of Living outpaces its predecessor in large because of Downtown Boys’ newfound mastery of dynamics in their performances.- Spin
- Posted Aug 11, 2017
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Though the album’s lyrics are occasionally vague, the moments of specificity induce raised eyebrows.- Spin
- Posted Jul 25, 2017
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Lust for Life is a spectacular 72 minutes long. It trades in the same intently, atmospherically narcotic sound Del Rey and primary producer Rick Nowels have favored since the beginning.- Spin
- Posted Jul 24, 2017
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At its best moments, the EP is experimental and detail-oriented. At its worst, it sounds like an empty pastiche of ideas drawn from a time-tested deck of Reznor-patented Oblique Strategies. ... If consistent, headline-grabbing smaller releases are the way to keep music fans listening and interested in Nine Inch Nails, then keep them coming.- Spin
- Posted Jul 24, 2017
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Though it lacks the electrifying newness of the Sung Tongs era, Eucalyptus is nonetheless a success. It is a patient, reflective, and decidedly low-key work, one that seems content to thrum along in its own corner of the universe without much regard for whether anyone’s there to receive its generous gifts.- Spin
- Posted Jul 21, 2017
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Even at roughly the same length as past Waxhatchee albums, Storm feels more compact. The second half sags briefly between the undifferentiated buzz of “Hear You” and delicate breathiness of “A Little More,” but in the final stretch, the band pulls through.- Spin
- Posted Jul 19, 2017
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Jealous Machines tends in a darker, more modernist direction. On Lese Majesty, Shabazz Palaces leaned towards the indulgent, with a scattershot track sequence that was heavy on under-developed ideas bordering on interludes. This time, Butler and Maraire tighten their focus even as they serve up twice as much music.- Spin
- Posted Jul 18, 2017
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As you work your way through the new material, it becomes apparent rather quickly that Shabazz Palaces have elevated their jazz-damaged phrasing into a unique musical language. Butler, of course, responds to the music with idiosyncratic lyrics to match. ... Gangster Star leans towards a funkier, more upbeat mood.- Spin
- Posted Jul 18, 2017
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Awesome the riffs may be, one might only want to hear them in small bursts lest they risk being worn out. Still, there’s enough variation to stave off sameness, and the band is smart enough to switch it up from track-to-track.- Spin
- Posted Jul 14, 2017
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The band is smart, then, to play to their strengths on Something to Tell You: experiments at small scale.- Spin
- Posted Jul 13, 2017
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Hug of Thunder is at its best when Broken Social Scene is loose and willing to experiment with its formula.- Spin
- Posted Jul 7, 2017
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For an artist never exactly afraid of taking risks, Dust still finds new forms of experimentation, moving beyond dance toward something softer and more reflective. Halo juggles new elements with gorgeous sparseness that gives weight to each sonic addition.- Spin
- Posted Jul 5, 2017
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A far more thoughtful album than the glossy and disconnected Magna Carta Holy Grail, it’s a 36-minute confessional that attempts to bring JAY-Z’s narrative full circle.- Spin
- Posted Jul 5, 2017
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There was little to nothing as picturesque and vivid in major-label rock as OK Computer in 1997, and it’s debatable if there’s been anything since. ... If OK Computer seemed to wither over its runtime, there is a more consistent, punchier quality to the second album sequenced out on OKNOTOK–full of big guitars, sweeping sentimentality, and drier wit. Here, its bold half-ideas, this many years on, sound better than ever, and find a new coherence.- Spin
- Posted Jun 26, 2017
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Big Fish Theory doubles the ambition of Summertime ’06’s corroded soundscape but condenses that breadth within a tight 36 minutes.- Spin
- Posted Jun 26, 2017
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The album feels unprecedented within his catalog because it strikes a balance Thug has never quite pulled off on a single project: mixing a unified, album-wide sound with moments of aggressive experimentation and nagging hooks.- Spin
- Posted Jun 22, 2017
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Pretty Girls Like Trap Music, his third solo full-length, feels like a cousin to Migos’ Culture, another highlight of 2017—a bit more sinewy but still overflowing with seven-figure absurdism.- Spin
- Posted Jun 22, 2017
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Accept its odd phrasings and vast negative spaces and Lorde’s sophomore effort reveals itself dark and glorious. ... The smoky, slightly hoarse warmth of her maturing voice immediately sets the new material apart from rivals, and from her 2013 debut Pure Heroine.- Spin
- Posted Jun 16, 2017
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Though they may take several listens to reveal their beauty, the payoff for your patience and attention is substantial.- Spin
- Posted Jun 16, 2017
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This dichotomy between the album’s two bandleaders makes the album an authentically interesting listen instead of a throwaway reunion effort.- Spin
- Posted Jun 13, 2017
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It’s hard to overstate how exceptional Ti Amo is: every song is complete in its own way, and while there’s perhaps the slightest softening of focus near the end, it never starts to coast on its sultry aesthetic.- Spin
- Posted Jun 9, 2017
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The brighter moments of the second half can be interesting, but never as achingly perfect as that opening stretch.- Spin
- Posted Jun 6, 2017
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There’s something whimsical about the new record that’s hard to pinpoint. The disparity between the lyrics and the sounds is a little disorienting at first, but progresses into something remarkably natural, and invigorating.- Spin
- Posted Jun 2, 2017
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There is no note out of place or sample used without careful thought. The album asks the listener to unpack each second, find thrills in its surprises and layers, or simply get lost in the rhythms that will make one’s body jerk and jut out in ways not yet defined. It is the work of an exacting mind, one that should challenge other producers and musicians in the future.- Spin
- Posted May 19, 2017
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It’s a lot to take in, especially from a band formerly so minimalistic, but musically, it holds together.- Spin
- Posted May 12, 2017
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It’s the band’s brightest, most animated album. The sound is crisp, every layer discernible, lacking the blurs and reverberations that constitute traditional rock production and instead drawing from the rhythmic separations that characterize ‘80s pop and freestyle.- Spin
- Posted May 12, 2017
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Luaka Bop has done a remarkable job of collecting recordings that were originally scattered across multiple releases and giving them the feeling of a consistent whole.- Spin
- Posted May 10, 2017
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Sonically velveteen the whole way through, it’s certainly a comforting album, though Gonzalez’s efforts to capture the commanding, immediate quality of the music of her influences feel, overall, a little too cautious.- Spin
- Posted May 10, 2017
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No Shape is Hadreas’ longest album yet, and even moreso than its predecessor, it feels like a complete conceptual project. Taken as a whole, it’s a real thicket, imbued with the innocence and horror of fairy tale.- Spin
- Posted May 5, 2017
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Ultimately, the curiosity of the song selection helps Best Troubador feel like a more thoughtful and earnest tribute. Sometimes the two men’s disparate sensibilities find an appealing point of overlap.- Spin
- Posted May 4, 2017
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- Posted May 4, 2017
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The narrative structure of nighttime reveries can often feel unsettling, but throughout Slowdive, the band use foggy images and slippery transitions as a soothing sort of déjà vu--you feel like you’ve been here before, even though you obviously haven’t.- Spin
- Posted May 3, 2017
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The rhythm sections and synths have been crafted with a newfound appreciation for sound, but with unexpected, childlike curiosity. The lyrics retain a relatable amount of simplicity, yet they also portray an intimate exploration of self-worth and image.- Spin
- Posted May 1, 2017
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Her pop hits remain enjoyable, but what makes Feist’s albums hold up is the unexpected. Pleasure perhaps asks more of the listener than her first two records did, but really, the best pleasures do.- Spin
- Posted Apr 28, 2017
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