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Apr 21, 2017Later cuts like "Love in the Time of Surveillance" and the nervy, angsty closer reveal some decidedly complex layers of sonic architecture. Toss in the requisite instrumental, the all-atmosphere "Make No Sound in the Digital Forest," and you've got a pretty solid Incubus record in your hands, albeit one that won't win over any of the group's detractors.
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Apr 21, 2017Too many songs get halfway there, starting promisingly, then petering out quickly.
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Apr 21, 2017An outing as plain as its title. It is the band’s most consistent album in years, never dipping into any true clinkers but never approaching anything close to a risk either.
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Kerrang!May 11, 20178 isn't terrible, but it is boring, which is much worse. [13 May 2017, p.51]
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Apr 21, 2017Brandon Boyd and boys’ eighth album continues a progression away from the breakdowns and record-scratches of their early years and towards something closer to stadium-baiting modern rock in the mould of, say, Train. Indeed, there’s even the faint whiff of the Sheeran on a few of the big ballads here.
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May 17, 2017There’s barely any turntable work, just vanilla rock that once you’ve heard once you’ve heard it a million times. ... Incubus have un-made themselves.
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Apr 21, 2017Every song is so utterly devoid of energy, like they've released a record composed of the spaces between the notes in all their previous work.
Awards & Rankings
User score distribution:
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Positive: 27 out of 40
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Mixed: 5 out of 40
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Negative: 8 out of 40
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Apr 24, 2017
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Apr 26, 2017
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Apr 21, 2017