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Not quite as endearing as his raw and seductive 2002 debut.
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BillboardIt is simply miserable, heavy, repetitive and cathartic. [18 Nov 2006]
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It's good enough to impress fans of David Gray and Coldplay.
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The tortured melancholy bit -- part of it, anyway -- takes a back seat on the follow-up to this Irish bard's well-loved 2003 debut.
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As it was on 2003's O, Damien Rice's songs are so naked emotionally that even listening is akin to eavesdropping on a bad breakup.
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Paste MagazineWhile not as panoramic or varied as its predecessor, 9 is marked by a similar mix of poised control and impulsive gestures backed by dramatically arranged, lyrical instrumentation. [Dec 2006, p.92]
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"9" picks up where the ubiquitous and two-million selling "O" left off. Hoarse howling to acoustic guitar strumming; folksy plucking to bleeding heart mutterings; Radiohead-a-like moments pull of portentous, look-at-me pauses and full band crescendos.
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He quivers, moans and pleads in obsessive contemplation of the darling departed in a self-dramatising simulation of catharsis that wrings from his performances an ocean of emotion when a drop of understated restraint would prove more telling.
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The New York Times"9"... has a confused feel: he simultaneously glosses up the production, tries too hard to seem edgy, then compares women to sandy shores and the morning sun like an adult-contemporary sap. [20 Nov 2006]
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New Musical Express (NME)He's terribly earnest. [4 Nov 2006, p.35]
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Not all of 9 is obnoxious, though. Much of it is merely boring; the unmemorable tunes failing to elevate beyond everyday, coffee house, bland competency.
User score distribution:
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Positive: 46 out of 53
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Mixed: 4 out of 53
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Negative: 3 out of 53
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Sep 2, 2014
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CarlyH.Jan 11, 2009Pitchfork, i read your review, it was RETARDED. You have no REAL reasons behind hating this album. I hate you, pitchfork.
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AdamP.Jan 1, 2009