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Generally favorable reviews - based on 11 Critic Reviews What's this?

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  • Summary: The fourth full-length release for the post-punk trio was mixed and produced by Nick Sylvester.
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Score distribution:
  1. Positive: 9 out of 11
  2. Negative: 0 out of 11
  1. Feb 10, 2020
    Its genesis was borne of urgency, and that’s a feeling that permeates every aspect of an album that positively twitches with energy.
  2. Q Magazine
    Feb 6, 2020
    They make modern life's drain and strain exhilarating. [Mar 2020, p.120]
  3. Feb 7, 2020
    On All or Nothing, Shopping talk big and play loud, showing their sharp sense of what makes people move. It's an album that just can't wait to be released, to spread its way through a gathered crowd — and, at last, to watch the motion begin.
  4. Feb 10, 2020
    For all their wiry energy and staccato sloganeering, Shopping have always embraced pop melody and absurdist humor, and All or Nothing’s more polished production pushes those qualities to the fore.
  5. Feb 12, 2020
    Shopping isn’t trying to become more commercial or appealing on a wider scale, but they undertook this sonic shift because, as a band that has long been heralded for its dance-y vibe, the incorporation of electronic elements seems to be a natural progression in order to make the most well-rounded version of what their music conveys.
  6. Feb 18, 2020
    Shopping may have settled on a lateral move with All or Nothing, but it's still a strong case for more converters to jump onto their bandwagon.
  7. Feb 6, 2020
    Seven years on from their first record, Shopping are still giving audacious levels of energy. It would be interesting to see the band develop their electronic experiments even further in their next album; though All or Nothing builds on its predecessor, it only gives us a taste of what the trio can do when left alone with a synth.

See all 11 Critic Reviews

Score distribution:
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  2. Mixed: 0 out of
  3. Negative: 0 out of