• Record Label: ATO
  • Release Date: May 24, 2019
Metascore
81

Universal acclaim - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 14
  2. Negative: 0 out of 14
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  1. Jul 8, 2019
    80
    It’s rock ’n’ roll for 2019, though the band calls it simply pub rock. Either way, it’ll get a mosh going.
  2. 80
    While these tunes might not have quite the caught-in-yer-brain stickiness of “I’m not a loser,” they’re longer lasting. Because the band is speeding so quickly, and rushing out combustible sounds, it takes more deep dives into the album to catch everything.
  3. Kerrang!
    May 30, 2019
    80
    As an example of a band whose explosive energies are captured, rather than recorded, this is strong work. [1 Jun 2019, p.55]
  4. 80
    It’s “pub-punk” for now, but there’s a good chance it’ll take them to much bigger stages sooner rather than later. It’s not big, it’s not clever, but it’s a bloody hoot.
  5. May 23, 2019
    80
    Amyl and the Sniffers is a promising opening salvo from a young band who match a rabid hunger with the chops to back it up.
  6. May 23, 2019
    80
    A great advert for Australia’s most incendiary live band.
  7. Q Magazine
    May 22, 2019
    80
    Exhilarating debut album. Its 11 breathless tracks bottle the barely-controlled explosion of energy that masquerades as their live show, then sprays it all out again like cheap lager. [Jul 2019, p.111]
  8. Mojo
    May 22, 2019
    80
    Amid the aggro, Taylor's intense stack-heeled charisma dominates: whether raging or romancing, she's the queen of this glorious chunder from Down Under. [Jun 2019, p.88]
  9. Uncut
    May 22, 2019
    80
    Their debut burns through 11 tracks in 27 minutes like acetylene torch burns through butter, as spin-on-a-dime tight as it is exhilaration unsubtle. But there's more to Amyl than visceral wallop--namely Amy Taylor. [Jun 2019, p.23]
  10. May 22, 2019
    80
    Amyl and the Sniffers is a thumping, screaming, wailing magnet for misfits, losers, and outcasts, a clarion call for rejects and mis-shapes that is also an obscenely, outrageously good time.
  11. 80
    They’ve come out the other side with a debut that rips and tears with a whole lot more force. The band hasn’t lost any of its wildness, any of its chaotic energy, though it does feel like they’ve gone through a bit of development: they’re now a full-sized, frothing rottweiler, instead of the growling pitbull pup they were just a few years ago.
  12. Jul 31, 2019
    75
    Everything here on their self-titled debut album remains pitched at pleasingly breakneck speed and, happily, the gigantic chant-alongs and whisky-sick hooks are here in abundance.
  13. May 24, 2019
    72
    The album exists so thoroughly in the moment that it winds up obliterating the group’s fetishization of the past and just delivers pure, uncut rock’n’roll fun.
  14. May 24, 2019
    60
    It’s not Amyl and the Sniffers’ fault they get treated like a second coming--more a reflection on how little great rock’n’roll there is right now--but it’s done them no favours. With no fanfare, this would have been a really decent record. With the praise they’ve had, they’d have had to make a new Powerage not to disappoint.
User Score
7.1

Generally favorable reviews- based on 9 Ratings

User score distribution:
  1. Positive: 7 out of 9
  2. Negative: 1 out of 9
  1. Aug 18, 2019
    9
    Hell yeah! Amyl and the Sniffers bring an urgency and irreverence much needed as our world burns around us. One could hope this time aroundHell yeah! Amyl and the Sniffers bring an urgency and irreverence much needed as our world burns around us. One could hope this time around people will heed the ideas of the generation of punk rockers: Amyl and the Sniffers, Downtown Boys, The Idles, Parquet Courts. Full Review »
  2. May 29, 2019
    8
    Though far from a perfect album, Amyl and the Sniffers self-titled debut bout is a fierce, aggressive, and loud introduction to a virtuallyThough far from a perfect album, Amyl and the Sniffers self-titled debut bout is a fierce, aggressive, and loud introduction to a virtually unknown group of musicians. Lead singer Amy Taylor is the anchor, and for good reason, but it is the quietly stellar guitar work of Declan Mehrtens that most grabbed my attention. Listen closely to the solos on "Monsoon Rock" and "Some Mutts," this guy understands the artistry behind a solo, and delivers two barn-burners. Full Review »