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While eight years ago Primal Scream embraced a hard edge that blew our faces off, this limp electro-pop doesn't stand up against the likes of The Knife, who infuse their work with both an inventiveness and emotion that's sorely lacking here.
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Well, there is a lack of faults, sure, but there’s not a lot that grabs hard.
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A fine mix of fantasy and reality, made by a band who never run out of ideas, sung by a singer too smart to fall apart and too excited by rock’n’roll to stop being stupid.
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Gillespie will definitely need it [a new Mamma Mia-loving audience] once long-time-Primals fans hear all the twee synth-tweaked frivolity and snappy handclaps where the sleazy, distorted rock ’n’ roll jams should’ve been.
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Its hedonistic groove carries everything before it, and reminds you that 'rock'n'roll' doesn't just signify a sound (and fury), it signifies an attitude towards risk taking.
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If this attempted reconciliation produces moments of both elation and frustration, well, the band's erratic track record gives us no real reason to expect otherwise.
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This is just lazily done and disappointing considering it’s been marketed very well to appear mysterious.
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It's worth reiterating that there's good music here: it's just that if you want to hear it you have endure being hectored by a man who gives every impression of being a thumping twit.
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It’s too blunt, messy and reverent to be up there with their best, but you hope that it also serves a secondary function: to clear the decks for one last magnificent tilt at rock deification on album number ten.
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Q MagazineBeautiful Future isn't quite as onsistent as it could be. [Aug 2008, p.138]
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Mojo'Beautiful Summer's' spectral chamber rock and a take on Fleetwood Mac's 'Over & Over' prove there's life in the franchise just yet. [Aug 2008, p.103]
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Yttling and Epworth have succeeded in making the Scream enjoyable and vital again, hardly a sure thing after the embarrassment of "Riot City Blues."
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Though singer Bobby Gillespie's lyrics are still rife with anti-establishment paranoia, songs such as 'The Glory of Love' and the title track are colorful, catchy, and informed by a cautious optimism born of hard-earned perspective and a surprising maturity.
User score distribution:
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Positive: 8 out of 11
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Mixed: 1 out of 11
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Negative: 2 out of 11
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AnthonyL.Aug 23, 2008
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AlexH.Aug 1, 2008