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The WireAug 8, 2017Because of the time lapses involved in recording the material, the album sounds uneven and sometimes stale, sadly lacking the Misfits punk rock kick that he managed to reboot into early Danzig offerings with producer Rick Rubin. Of note, however, is the closing “Pull The Sun”, a majestic hovering ballad where Danzig drops the Jimbo stance to elevate his group and his more subdued vocal to a higher rock pinnacle. [Jul 2017, p.60]
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May 26, 2017Black Laden Crown is at its best when the band keeps it slow and low, as they do with great success on workmanlike candelabra-burners like "Last Ride," "Skulls & Daisies," and "Pull the Sun" and it's in those solemn moments of churning, Jim Morrison-esque torment and woe that Glenn Danzig sounds the most sinister and at ease.
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May 30, 2017The songwriting is certainly not poor and Glenn’s voice is far from shot, but what makes this album so average is the combination of the lazy arrangements and the poor production which makes the album sound as if the veteran vocalist is singing over a backing CD.
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May 26, 2017There’s not even anything very embarrassing about Black Laden Crown, the first Danzig album since 2010’s Deth Red Sabaoth--it’s just plain old boring.
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May 26, 2017Ponderous musicality can be both mesmerizing and boring, and Black Laden Crown touches on both extremes.
User score distribution:
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Positive: 4 out of 14
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Mixed: 2 out of 14
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Negative: 8 out of 14
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May 26, 2017
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Oct 19, 2018