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It's a bit more playful and pop than its predecessor, but it retains Tiga’s signature finely tuned electrohouse sensibilities.
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Ciao! is at once a tremendously enjoyable piece of dancefloor fluff and an impressively unified statement from a master synthesist of electronic pop pleasures.
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By exposing his sensitive underbelly on album number two, Tiga builds up some impressive strength in depth, while pushing the electro-house intersection for all he's worth. It's a winning ploy.
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Featuring the production savvy of Soulwax (who also worked on "Sexor") is an extremely polished and solid release.
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His push toward “real” songwriting is aided significantly by Canadian expat and multi-instrumentalist Jason “Gonzales” Beck, who spins a Parisian pop spell on the track Luxury and grounds Tiga’s high-camp inclinations on Shoes.
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Anyone up to date on the current dance-punk scene would have little trouble taking most of these 11 songs as outtakes from recent albums by such higher-profile acts as Soulwax, LCD Soundsystem, and Simian Mobile Disco.
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Tiga's still not a dancefloor chameleon like Basement Jaxx and he's not yet as pop-oriented and clever as say, the Pet Shop Boys, but Ciao! at least sees him glancing in those directions.
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Three decades on, a mini Canadian chap is bringing things full-circle and thanks to an all-star cast including the brothers Soulwax and Gonzales, he almost pulls off this grand appropriation.
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Ciao! is something of a confusing beast, then, as it’s easy to be turned off by Tiga’s apparent self-assuredness, as if he’s out to please nobody but himself with his latest album.
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On this bleepy, banging, glamour-chasing follow-up to 2006's Sexor, he is working with Soulwax and fellow Canadian Gonzales. Fun times.
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Montreal 's Tiga Sontag has always nodded to the genre's 80s origins but keeps it fresh by drawing from rave past and present.
User score distribution:
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Positive: 7 out of 8
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Mixed: 0 out of 8
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Negative: 1 out of 8
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ErikJJun 29, 2009One of the best dance albums of 2009.. shoes - so hot track.